Just how did the Devil get inside our heads? And who put him there?
One more amazing chapter in the mighty development of drummer Chico Hamilton – a killer 70s session for Blue Note – and a record that goes way beyond his earlier experiments of the 50s, modal grooves of the 60s, and funk work for the Flying Dutchman label! The style here is fusion, but way fresher than the usual type – neither jamming rock-styled, nor mellow and smooth – and instead always tickled by Hamilton's sense of a unique rhythm, and his continued great ear for inventive use of reeds – in this case handled by Arthur Blythe on alto and Arnie Lawrence on soprano and tenor sax. The set's also got Steve Turre on bass and trombone, and both Barry Finnerty and Joe Beck on electric guitars – but the real genius is Chico himself, who handled arrangements and wrote most of the album's great tracks. Titles include the exotic number "Abdullah & Abraham" – plus "Andy's Walk", "Peregrinations", "It's About That Time", "Sweet Dreams", "On & Off", "Little Lisa", and "Space For Stacy".
The place to begin discussing “The Devil’s In The Detail” is, oddly perhaps, right at the end. Because the last minute and nine seconds of this is a hidden song called “Ode To Idiots” in which Ryan Hamilton takes internet trolls to task on the snottiest country punk this side of Jason and the Scorchers. He ends it with the gleeful line: “I know you live with your mum and I’ll be seeing her again…” and in so doing shows why he just might be the best writer of pop rock songs with incredible hooks that we have right now. He showed this on “Hell Of A Day” his solo record from a couple of years ago, and now in his new band with The Traitors, he underlines it, dots the I’s crosses the T’s and delivers something approaching a classic.
From its Nagel cover to the haircuts and overall design – and first and foremost the music – Rio is as representative of the '80s at its best as it gets. The original Duran Duran's high point, and just as likely the band's as a whole, its fusion of style and substance ensures that even two decades after its release it remains as listenable and danceable as ever. The quintet integrates its sound near-perfectly throughout, the John and Roger Taylor rhythm section providing both driving propulsion and subtle pacing.
You Gotta Go There to Come Back is the fourth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and released on V2 in 2003. This album is the only Stereophonics record which features both Stuart Cable and Javier Weyler. You Gotta Go There to Come Back joined its predecessors at #1 on release. It was re-issued with bonus tracks in February 2004, coming into the UK charts again at #35, finally re-entering at #16 in September 2004. It was the 28th biggest selling album of 2003 in the UK. The track "Maybe Tomorrow" became one of their biggest hits; it was played over the credits of the Academy Award-winning movie Crash (2004) and also during the opening scene of the film Wicker Park (2004)…
"Christmas Present" is a Christmas album by American pop singer Andy Williams that was released in late 1974 by Columbia Records. A brief blurb in Billboard magazine's Inside Track column in that year's November 23 issue revealed the album's television tie-in: "'Christmas Present' is title of Andy Williams' 11th Yule show, airing on NBC-TV Dec. 11".
Duran Duran personified new wave for much of the mainstream audience. And for good reason. Duran Duran's reputation was built through music videos, which accentuated their fashion-model looks and glamorous sense of style. Without music videos, it's likely that their pop-funk – described by the group as the Sex Pistols-meet-Chic – would never have made them international pop stars…