Andre Previn’s name has become synonymous with the work. In this, his latest version, the interpretation is more daringly expansive and slower to evolve than ever before - he takes nearly eight minutes longer than the more urgent Ashkenazy on Decca - but ultimately the conviction of the performance wins through. The playing is a delight -sample the clarinet solo in the long adagio, surely one of the loveliest tunes ever written, critics notwithstanding! With a generous ambience, natural balance, and 'bloom' so characteristic of Telarc productions, the recording perfectly complements the performance.
Peter Herring, Classical Music on Compact Disc
Conductor Antonio Pappano leads Orchestra dell’Accademia Nazionale di Santa Cecilia on this recording of one of the 20th century’s most thrilling and emotive symphonies, Sergej Rachmaninoff’s Symphony No. 2. This is coupled with Anatoly Liadov’s beautiful tone poem The Enchanted Lake.
EMI's two-disc set Rachmaninov: Orchestral Works offers listeners a solid foundation of the Russian composer's symphonic literature. As with many collections that call upon existing recordings to combine into one anthology, performance quality varies.
In the decades since its founding, the Scottish National Orchestra has earned a reputation as a distinguished ensemble with an extensive concert schedule, wide-ranging repertoire, and a significant representation on recordings. The SNO is the direct descendant of the Scottish Orchestra, founded in Glasgow in 1890; with the establishment of the Scottish National Orchestra Society in 1950 with monies from Glasgow, Aberdeen, Edinburgh, and Dundee, the SNO became a permanent ensemble. Throughout its first 40 years, the Scottish Orchestra had no permanent principal conductor, instead relying on a series of eminent guest conductors.
Gustav Mahler’s epic Symphony No. 2 ‘Resurrection’ with Simon Rattle and the Berliner Philharmoniker, the Rundfunkchor Berlin and star soloists Kate Royal and Magdalena Kožená was recorded in concert at Berlin’s Philharmonie in late October 2010. The Symphony, scored for orchestra, soloists and chorus, tackles the great mysteries of life and death and was already among the most successful and popular of Mahler’s symphonies during his lifetime. Not only was the work premiered by the Berliner Philharmoniker (in 1895) but it is an important work in Simon Rattle’s musical trajectory. The partnership of Sir Simon and the BPO in Mahler’s Symphony No. 2 portends a ground-breaking new recording.