Czech: Ančerl Gold Edition 10, Prokofjev, Symfonie č. 1 D dur, Koncerty pro klavír a orchestr č. 1 a 2
Sviatoslav Richter, Symfonický orchestr hlavního města Prahy FOK | Dagmar Baloghová, Česká Filharmonie | Karel Ančerl
Karel Ancerl conducts one of the most luminous and beautiful Dvorák Sixths on disc. - Victor Carr Jr
Much as I love this work, and enjoy other performances (including Kubelik, Neumann, Jilek, and Mackerras), this is one of those rare occasions where you really can point your finger to a single version and say, "This is the best." - David Hurwitz
"…The program she presents here is terrific: the Wesendonk Lieder and Zemlinsky songs are pretty common in recitals, but I know of no other recital disc where the “Song of the Wood Dove” from Schoenberg’s massive Gurrelieder appears, and the Brahms Alto Rhapsody is similarly rarely recorded outside of complete Brahms sets. Pecková, whose voice is a hair light for all the music here (she sings Rosina and Cherubino, and the lighter soprano role of Varvara in Katya Kabanova), does much of the program proud…" ~classicstoday
… In 1983 the Grand Prix Academy Charles Cross was received in Paris for the recording of Martinů's Quartet Nos. 4 and 6. The Panocha Quartet places particular emphasis on Czech music especially the works of Smetana, Dvořák, Janáček and Martinů. Its extensive repertoire also included many Viennese classics, notably many of the quartets of Haydn…
Foerster's piano trios in the first complete digital recording! New recording. The works of Josef Bohuslav Foerster (1859–1951) have deservedly experienced a renaissance in recent years. Following the acclaimed albums of his two violin concertos (SU 3961-2), cello concerto (SU 3989-2) and complete string quartets (SU 4050-2), SUPRAPHON has now released the first-ever digital recording featuring the complete Foerster piano trios. And as in the case of the string quartets, the three piano trios too represent various creative phases, with the first and third being divided by almost four decades.
..the real draw is this best-ever performance of Shostakovich's Tenth Symphony. - David Hurwitz
The steady increase in recordings of his music has now established Suk as one of the great musical poets of the early 20th century. Too much is made of his affinities with his teacher and father-in-law, Dvorák; for his own part, Dvorák never imposed his personality on his pupils and Suk's mature music owes him little more than a respect for craft and an extraordinarily well developed ear for orchestral colour. His affinities in the five-movement A Summer's Tale, completed in 1909 – a magnificent successor to his profound Asrael Symphony – reflect Debussy and parallel the music of his friend Sibelius and Holst, but underpinning the musical language is a profound originality energising both form and timbre.
Mackerras's recording joins a select band: Šejna's vintage performance on Supraphon and Pešek's inspired rendition with the Royal Liverpool Philharmonic; his is an equal to them both and the Czech Philharmonic's playing is both aspiring and inspiring.