Most listeners will never have heard the name Ivan Khandoshkin (1747-1804), but violinist Anastasia Khitruk has admirably undertaken to bring this little-known solo-violin repertoire to wider attention. Published in the early years of the 19th century, Khandoshkin’s Op. 3 sonatas show the influences we might expect, given the composer’s exposure to a court musical environment that included musicians from Italy, Germany, and France.
Miklos Rózsa arrived in Hollywood in 1940 after study in Leipzig and a stint in Paris where Arthur Honegger encouraged him to compose music for films. In California he found a strong community of expatriate composers including Stravinsky, Schoenberg and Korngold, and some of the finest instrumental soloists then active, including Heifetz, Rubinstein and Piatigorsky.