Les plus Remarquables, Insolites & Eblouissantes rencontres que permet la littérature, racontées par ceux qui la font. …
Johann Friedrich Fasch (1688-1758) was a forward-looking musician who, though a contemporary of Bach, anticipated Haydn and Mozart in the classical style of his compositions. In his younger years he held several positions before he became the music director for the chapel at the court in Zerbst, where he remained for 36 years. He also enjoyed a close connection with Dresden musicians, chiefly with the concertmaster of the Dresden court orchestra, Pisendel. These works are thought to have been some of Fasch's many compositions for the famous orchestra at Dresden.
Two of these are three-movement works called overtures; these represent a kind of "overture symphony" that Fasch created himself. Two string symphonies and two concertos are included also, the concertos showing the influence of Vivaldi, whom Fasch admired. With the exception of one symphony, which has four movements, every work here has three.(Ardella Crawford)
During the last few years of his life, John Cage wrote many pieces in the same general vein as Five3. They are often referred to as "the number pieces." This references the titles of the pieces, which are all simply the number of the performers. Superscripts are added as necessary to distinguish the individual pieces (this is the third quintet, for example).
These works are also called "the time-bracket pieces," a reference to the notation of the pieces.