Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position…
This Collection of Mozart fetaures some of the leading period-instrument ensembles and spans the oeuvre of Mozart's works. Included excellent readings of the 'Prague' Symphony and the Requiem.
Do not go by the year that it has been perfromed in because it is better than most modern recordings, the clarinet quintet is really good but, i would like to add that so is the other work specially the piano quintet. The recording is crisp and most importantly clear, there is no distortion of any kind. The Amadeus Quartet seems to have only one thing on their mind and that is to deliver a smooth interpretation of the sextets and quintets.
Volume IV in the series The RIAS Amadeus Quartet Recordings presents the ensemble with 20th century Hungarian and English works. The Baroque composer Henry Purcell is also represented – as a reference point for Benjamin Britten’s Second String Quartet. This edition substantially broadens the view of the Amadeus Quartet and demonstrates the inquisitiveness and assuredness with which Norbert Brainin and his three colleagues explored the music of their contemporaries.
Since the beginning of their career, the Amadeus Quartet regularly came to make recordings at the RIAS studios in Berlin. Thus a representative cross-section of the ensemble's repertoire came into being in the archive there and will be released by audite in six volumes. At the beginning of this new series is the (almost) complete Beethoven cycle, recorded during the years from 1950-1967 and now available to the public for the first time. These recordings are distinguished for the fact that each movement of a work is recorded in one continuous take.