It takes an aircraft-carrier of a release such as Live at the Beacon Theatre to remind us just how unique the Allman Brothers Band always was and still is. Traditionally a byword for down-home R&B/country blues-rock, the reality is that the band's gigantic sound is almost a musical form in itself. Make no mistake, the Allmans are still making big music, now with a two-guitar front line as well as their trademark two-drummer rhythm section (augmented these days with an additional percussionist), plus Gregg Allman's Hammond cutting through all of this like a serrated knife.
This two-CD set won't cause you to throw out your copy of Fillmore East, but it is at very least a worthy companion to that 1971 classic. Recorded the previous year at the famed Cincinnati venue (but not released until 1991), Ludlow catches the band in the moments just before their peak. Some of the material will be familiar to fans, but this collection adds gems such as John Lee Hooker's "Dimples" and the blues classic "I'm Gonna Move to the Outskirts of Town" to their recorded repertoire. And if you thought the 33-minute "Mountain Jam" on Eat a Peach was extensive, you need to hear Ludlow's 44-minute version, which comprises the entire second CD.
2016 live archive release from the southern rockers. Live From A&R Studios: New York, August 26, 1971 was initially a radio broadcast that originally aired on WPLJ. This set features the band steamrolling through a set of songs including "Statesboro Blues, " "Trouble No More, " "One Way Out, " "In Memory of Elizabeth Reed" and "Hot 'lanta." The recording was widely bootlegged, but has been remixed from the original multi-track recording. The quality, dynamic performance and ambience encompassed herein all at once make for a quite staggering sonic experience, one that fans of this legendary act in it's original line-up will relish alongside the groups other essential releases.
Goes the song written by legendary biker-bandleader, Harry Fryed. He ain't kidding either. And twenty-five years later, the party is still going strong. The award-winning Fryed Brothers Band has been on the road, carving out a reputation as the best biker band in the world. Their energetic brand of American roots music is an irresistible stew of country, blues, swing, boogie-woogie, and good old roadhouse rock and roll.
The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.
Blending rock, blues, country, and jazz, the godfathers of Southern rock in all its wild, woolly glory. Collection includes: 'The Allman Brothers Band' (1969); 'Idlewild South' (1970); 'At Fillmore East' (1971); 'Eat A Peach' (1972); 'Brothers And Sisters' (1973).