"Under" is the fifth studio album by French progressive rock band XII Alfonso. Fully instrumental, this opus includes many sounds, noises and voices. One may recognize the famous speech by reverend Martin Luther King, whom the band pays tribute. Musically speaking, the Camel influences from the beginning are now far away, in favour of a more personal approach. And that's with great pleasure that one welcomes the return of the lyrical guitar parts courtesy of Philippe Claerhout, both electric and acoustic.
Jordi Savall, once more time, shares with us a beautiful program of instrumentals and chorals pieces from the middle age. Alfons X El Sabio Cantigas are the most popular music pieces about this period, but also really majestic. The sound of this album is really magic. A very good choice for a first approach…
Alfonso Santisteban (June 28, 1943 - May 24, 2013) was a composer, arranger, producer and director of a Spanish orchestra. He entered the SGAE in June of 1961. He devoted most of his work to compositions for film and it has been the soundtrack to more than fifty films, in addition to many television series and jingles for programs. Of course, he also composed some Classical works.
Alfonso Ferrabosco the younger (b. Greenwich, c. 1575; bur. Greenwich, March 11, 1628) was an English composer and viol player of Italian descent. Although he gained access to the royal court as early as 1592, it took him almost 10 years to come to the attention of the queen, but in 1601 he became a member of the royal consort of viols. Ferrabosco marks the true beginning of the English Baroque. When Elizabeth I died in 1603, her successor James IV appointed Ferrabosco as music teacher to Henry, Prince of Wales and Ferrabosco continued to work in the king's service, becoming Composer of the King's Music in 1625, in 1626 succeeding John Coprario in the post of official court musician. The respect shown for him by his contemporaries proves that Ferrabosco was the court musician of his day, borne out by the fact that he was also the most copied.
Most of Schubert’s operas were written without a specific commission, in the hope that, once completed, some theatre might find them interesting simply by virtue of their musical value. This unrealistic optimism proved almost always wrong and Schubert suffered bitter disappointments, very often working for nothing. Begun on 20th September 1821, Alfonso und Estrella was completed on 27th February 1822 but was first staged, on the initiative of Franz Liszt, only in 1854, after Schubert’s death. Alfonso und Estrella has the characteristic climate of a romantische Oper. If it is true that Schubert lacks the sense of theatre which is typical of the best operatic composers of his day (for example Weber), the power of his creativity and beauty of many arias cannot be denied.
A volume which celebrates the 400th anniversary of the birth of Jusepe de Ribera by bringing together 60 of the artist's greatest paintings, including "The Clubfooted Boy", "The Drunken Silenus", "The Martyrdom of Saint Philip" and "The Holy Family with Saints Anne and Catherine of Alexandria".