Alexander Value

Carol Alexander - Value at Risk Models  Video

Posted by ZENIC at Sept. 13, 2010
Carol Alexander - Value at Risk Models

Carol Alexander - Value at Risk Models (PRMIA)
English | 2h 21mn | 320 x 240 | MOV MPEG-4 1224Kbps | PCM 705Kbps | 1.91 GB
Genre: eLearning

Part of the DVD Study Series on Risk Management PRM Certification by PRMIA. A 2 hours and 21 minutes lecture on Value at Risk by Proferssor Carol Alexander that covers the market risk part of the risk management exam.

Market Risk Analysis, Volume IV: Value at Risk Models (repost)  eBooks & eLearning

Posted by interes at Dec. 27, 2013
Market Risk Analysis, Volume IV: Value at Risk Models (repost)

Carol Alexander, "Market Risk Analysis, Volume IV: Value at Risk Models"
English | 2009 | ISBN: 0470997885 | 492 pages | PDF | 15,9 MB

Written by leading market risk academic, Professor Carol Alexander, Value-at-Risk Models forms part four of the Market Risk Analysis four volume set. Building on the three previous volumes this book provides by far the most comprehensive, rigorous and detailed treatment of market VaR models.

Market Risk Analysis, Volume IV: Value at Risk Models (repost)  eBooks & eLearning

Posted by arundhati at March 28, 2013
Market Risk Analysis, Volume IV: Value at Risk Models (repost)

Carol Alexander, "Market Risk Analysis, Volume IV: Value at Risk Models"
2009 | ISBN: 0470997885 | 492 pages | PDF | 16 MB

Market Risk Analysis, Volume IV: Value at Risk Models (repost)  eBooks & eLearning

Posted by Book-er at June 11, 2012
Market Risk Analysis, Volume IV: Value at Risk Models (repost)

Carol Alexander, "Market Risk Analysis, Volume IV: Value at Risk Models"
English | 2009 | ISBN: 0470997885 | 492 pages | PDF | 15,9 MB

Written by leading market risk academic, Professor Carol Alexander, Value-at-Risk Models forms part four of the Market Risk Analysis four volume set. Building on the three previous volumes this book provides by far the most comprehensive, rigorous and detailed treatment of market VaR models. It rests on the basic knowledge of financial mathematics and statistics gained from Volume I, of factor models, principal component analysis, statistical models of volatility and correlation and copulas from Volume II and, from Volume III, knowledge of pricing and hedging financial instruments and of mapping portfolios of similar instruments to risk factors. A unifying characteristic of the series is the pedagogical approach to practical examples that are relevant to market risk analysis in practice.

Market Risk Analysis, Value at Risk Models (Volume IV) (Repost)  eBooks & eLearning

Posted by Specialselection at March 6, 2012
Market Risk Analysis, Value at Risk Models (Volume IV) (Repost)

Carol Alexander, "Market Risk Analysis, Value at Risk Models (Volume IV)"
English | 2009-03-04 | ISBN: 0470997885 | 494 pages | PDF | 16 mb

Market Risk Analysis, Volume IV: Value at Risk Models (repost)  eBooks & eLearning

Posted by tot167 at June 27, 2011
Market Risk Analysis, Volume IV: Value at Risk Models (repost)

Carol Alexander, "Market Risk Analysis, Volume IV: Value at Risk Models"
W ey | 2009 | ISBN: 0470997885 | 492 pages | PDF | 15,9 MB

Market Risk Analysis, Volume IV: Value at Risk Models  eBooks & eLearning

Posted by tot167 at Oct. 8, 2009
Market Risk Analysis, Volume IV: Value at Risk Models

Carol Alexander, "Market Risk Analysis, Volume IV: Value at Risk Models"
Wiley | 2009 | ISBN: 0470997885 | 492 pages | PDF | 5,8 MB
Saténik Khourdoïan & Alexander Gurning - Ysaÿe, Fauré & Saint-Saëns (2018) [Official Digital Download 24/96]

Saténik Khourdoïan & Alexander Gurning - Ysaÿe, Fauré & Saint-Saëns (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 55:01 minutes | 0.99 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

For his first recording Saténik Khourdoian, concertmaster of the Orchestre symphonique de la Monnaie and an enthusiastic and passionate violinist, joins forces with the gifted pianist Alexander Gurning, who has received numerous awards for his qualities as a chamber music performer. Fauré and Saint-Saëns found in Ysaÿe a virtuoso performer and an exceptional ally in getting their music known, who was on friendly terms with both men and was also a composer himself. They often played together in Paris, notably at the concerts of the Société nationale, and in the Brussels salons of the XX and the Libre Esthétique.
Beethoven Trio Bonn - Alexander Alyabyev (2015) [Official Digital Download]

Beethoven Trio Bonn - Alexander Alyabyev (2015)
FLAC (tracks) 24-bit/45 kHz | Time - 65:38 minutes | 609 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

ALEXANDER ALYABYEV – A Russian Schubert? „…In 1812, at age 25, Alyabyev enrolled in the Russian deployment army. As a cavalry officer he took part in campaigns against Napoleon that took him all the way to Paris; he was badly wounded in the arm and transferred to the National Guard, where he became one of its best officers. Alyabyev had made himself a name in music salons as a composer of romanzas and brief pieces for piano prior to the Napoleonic War.
Berlin RSO, Riccardo Chailly - Alexander von Zemlinsky: Die Seejungfrau (The Mermaid); Psalm XIII, Op. 24 (1987)

Alexander von Zemlinsky: Die Seejungfrau (The Mermaid); Psalm XIII, Op. 24 (1987)
Radio-Symphonie-Orchester Berlin; Kammerchor Ernst Senff; Riccardo Chailly, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 124 Mb | Scans ~ 71 Mb
Genre: Classical | Label: Decca | # 417 450-2 | Time: 00:54:12

Zemlinsky's Die Seejungfrau ("The mermaid") is a three-movement symphonic fantasy based on the Hans Andersen story. It was first performed (under the composer's direction) in 1905, and is thus a good deal earlier than the works that have recently excited renewed interest in him—the oneact operas Eine florentinische TragOdie (1916) and Der Zwerg (1921), and the exquisite Lyric Symphony of 1922. In its masterly handling of a large orchestra, however, and of an episodic but firm structure, it is a far from immature piece. Zemlinsky was 34 when he wrote it, after all. If his list of works were not in such a terrible mess—many are unpublished; several, including the present work, were until recently thought to be lost—Die Seejungfrau would count as his Op. 30 or thereabouts.