A collection of Albert King's recordings for Stax, Roadhouse Blues doesn't quite live up to its title, as it isn't down and dirty like the blues played at an out-of-the-way juke joint. Instead, this is slick, funky soul-blues that emphasizes the blues somewhat but certainly has a bit of the slick, keyboard-and-horn-fueled funkiness of the '70s. There are a couple of oddities here – a version of "Killing Floor" that has a vocal, a live version of "Match Box Blues" from Wattstax – but this is best thought of as a nice sampler of Albert King's somewhat unheard and definitely underrated early-'70s work.
Atlantic's original vinyl edition of this was comprised of Albert's Stax singles – a few from Born Under a Bad Sign, along with "Cold Feet," "I Love Lucy" (two of King's patented monologues), and the beautiful "You're Gonna Need Me." Great stuff. Even greater, though, is the CD reissue, which includes those singles (which didn't appear on any other LPs) and all of Born Under a Bad Sign. Need I say more?
The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
While this is not nearly as essential as some other Stax wax, it has a loose, raffish appeal and never falls into the murk of a boring super-session chopsfest. These guys were simply havin' fun with some standard soul/R&B covers (e.g. "What'd I Say," "Baby What You Want Me To Do") and some wide-open originals, kickin' back with some serious riffin'. Cropper proffers his usual intense, simplistic soloing, while King swoops and dives in a stringbending fury. The added plus is the silky smooth near-falsetto of Pop Staples, whose vocal on "Tupelo" is suitably eerie…
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in 1990. It marked a substantial change in style for Moore, who, prior to this album, was predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz-fusion work with Colosseum II. As evidenced by its title, Still Got the Blues saw him delve into an electric blues style. The album features guest contributions from Albert King, Albert Collins and George Harrison. The title track was released as a single and reached No. 97 on the Billboard Hot 100. The album reached No. 83 on the Billboard 200 on 16 February 1991, then was certified gold on November 1995. This was the most successful album both in sales and chart positions from Gary Moore in the US.