If ever there were a recording that should be played in small doses, it's this one! Alan Hovhaness' serene, metaphysical, meditative music can send you into a near trance-state or, depending on the work, into a rage. Working with the principles of oriental art and mysticism, Hovhaness creates musical cells of exquisite beauty and then, coming from that same paradigm, repeats them seemingly endlessly.
Although he was not an original member of Kiss, drummer Eric Carr was automatically accepted and held in high regard by their legions of fans. Born Paul Caravello in Brooklyn, NY on July 15, 1950, the youngster discovered rock & roll the way many others did in the early '60s, via the Beatles…
While heavily influenced by Art Tatum, this performer was hardly considered a heavyweight pianist during his career. Born Louis F. Bush, or Busch depending on the source, the keyboard maestro who would also make heavy use of the stage name of Joe "Fingers" Carr managed to make it into Leonard Feather's Encyclopedia of Jazz, but with the following disclaimer: "A novelty performer rather than a jazz artist." The novelty itself was a kind of heavily sexed-up ragtime piano style that caught on in the very dawn of the hi-fi era. The invention was in sharp contrast to lounge music and would most likely have the opposite effect than a seduction if played in a bachelor pad. Carr began driving his piano this way while working as an A&R man for Capitol. In a brainstorm based on a sharp analysis of current trends, he decided to sign himself up as the mysterious "Fingers."
Lou Busch was a major arranger/conductor who created an alter ego for himself in the guise of Joe 'Fingers' Carr, the ragtime and honky-tonk pianist. Lou Busch, who played piano with Hal Kemp in the '30s, re-emerged in the '50s and '60s as a ragtime revivalist. These 1960 and 1961 LPs (the latter with Ira Ironstrings) capture his finest finger work as you hear six sweet medleys plus Too Fat Polka; Stumbling, and more!
Lou Busch was a major arranger/conductor who created an alter ego for himself in the guise of Joe 'Fingers' Carr, the ragtime and honky-tonk pianist. For the first time on one compilation we present both facets of the spectacular Lou Busch / Joe 'Fingers' Carr career. All of Joe 'Fingers' Carr's hits are included "Let's Do It Again!", "Music! Music! Music!", "Maple Leaf Rag", "Portuguese Washerwomen", "Sam's Song", "Down Yonder", "Tiger Rag", "Beer Barrel Polka", "The Old Piano Roll Blues" and many more! In addition are his great orchestral works plus his hit recordings with wife Margaret Whiting and all three tracks from Roger And Hammerstein's 'The King And I'.