The all-girl trio Arabesque was created by two Frankfurt-based German producers at the height of the disco era in 1977. After one album and a few singles that had found surprising success in Japan, the producers changed the lineup, keeping Michaela Rose and replacing the two other girls with Jasmin Vetter and Sandra Lauer. Vetter, a former gymnast, also became the trio's choreographer and Lauer, soon to be billed simply as Sandra, assumed the position of a lead vocalist. The first single of the updated Arabesque, "Hello, Mr. Monkey" went to number one in Japan. The Far East remained the band's biggest market, with numerous albums and compilations released over the years. However, Arabesque's success in their homeland was very modest, with only one single, "Marigot Bay," entering the German charts at number eight in 1981. In 1984, they disbanded and Sandra embarked on a successful solo career with the songs written by her future husband Michael Cretu (of Enigma fame.) Jasmin Vetter and Michaela Rose formed a new duet, Rouge, but after a few obscure singles it ceased to exist.
Having proved his writing credentials with his debut album, Bill Wyman mixed his own compositions with outside material second time around. Issued in February 1976, Stone Alone was Bill Wyman's second solo album. As per usual Bill had worked with a star-studded session band, the contributions this time around including Van Morrison, Joe Walsh, Dr John, Ron Wood, Al Kooper, Nicky Hopkins, and Jim Keltner. Van Morrison added sax to a revival of Gary Bonds' A Quarter To Three, Ron Wood and Joe Walsh played guitar, and Bill Wyman steered his superstar band through a righteous set of bluesy rock'n'roll.
Florida-based metallers TRIVIUM released their new album, "The Sin And The Sentence", on October 20 via Roadrunner Records.
Aside from being legendary multiple Grammy-winning jazzmen on very different instruments, Chick Corea (piano) and Béla Fleck (the world's premier jazz banjo master) have a shared love for collaboration and the infinite improvisational possibilities their chosen idiom offers them. In some ways, the two have been preparing for this masterful, musical dialogue-driven masterpiece for over ten years. Fleck, who has always credited Corea as being one of his chief influences, invited the pianist to play on the Flecktones' Tales from the Acoustic Planet, as well as the group's live CD Live Art. Some years later, in 2001, Corea found a spot for Fleck on his Rendezvous in New York DVD. Later, they toured as a duo, making the unique recording of The Enchantment an inevitable artistic extension of their on-stage chemistry.