Inspired by The Looking Series collections on RPM of UK 60s Nuggets, we now look in the world mirror at New Zealand. The country furthest from the UK and in this context the country most like the UK. For the latest in the RPM /Frenzy Music collaborations, following sets from Larry’s Rebels , The Fourmyula , Ray Columbus, The Dave Miller Set , and the Girl Group Sound down-under on “Come and See Me”, we explore the mid 60’s club scene and the various classic singles tailored for that scene.
Cardboard sleeve (mini LP) reissue from Soft Machine featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and 2012 24-bit remastering. The cardboard sleeve faithfully replicates the UK LP. Includes a booklet written in English. Part of a three-album Soft Machine Blu-spec CD cardboard sleeve reissue series featuring albums "Bundles," "Softs," and "Alive And Well Recorded In Paris." At this point in the band's history, Soft Machine might be considered an example of Theseus' paradox, akin to the original axe that George Washington used to cut down the cherry tree – original except that the head had been replaced three times and the handle twice. On Softs, Mike Ratledge, the only remaining original bandmember present on Bundles, the group's preceding Harvest LP, was relegated to guest status, contributing synthesizer to only two tracks, "Song of Aeolus" and "Ban-Ban Caliban."
Cardboard sleeve (mini LP) reissue from Soft Machine featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and 2012 24-bit remastering. The cardboard sleeve faithfully replicates the UK LP. Includes a booklet written in English and an inner bag. Part of a three-album Soft Machine Blu-spec CD cardboard sleeve reissue series featuring albums "Bundles," "Softs," and "Alive And Well Recorded In Paris." In the extensive discography of Soft Machine, albums from the band's mid- to late-'70s jazz-rock fusion period are generally afforded the least respect. Fans all have their favorite LPs representing a particular "classic" lineup – as well as opinions about other albums signifying that Soft Machine's best days were behind them. Some feel it was all over when Robert Wyatt left after Fourth (or stopped singing after Third), and it's probably even possible to find somebody somewhere who lost interest when Hugh Hopper replaced Kevin Ayers after Volume One.
Album release from The Soft Machine featuring footage of the band's concert in Paris in 1977. Originally released in 1978. Features cardboard sleeve and remastering. Includes a Japanese obi and a description. On the band's first live album, 1978's Alive & Well: Recorded in Paris, Soft Machine's personnel changes continue, with Steve Cooke replacing Roy Babbington on bass, and violinist Ric Saunders joining since the 1976 studio album Softs, as guitarist John Etheridge, keyboardist Karl Jenkins, and drummer John Marshall remain in place. (Since this is the group's first album not to feature any participation from an original member of Soft Machine, a name change might have been ethically, if not commercially, advisable.) Like Softs, Alive & Well is largely a vehicle for the compositions of Jenkins, who wrote nine of 11 tracks.
This was a limited edition repress of Aerosol's debut mini-album 'All That Is Solid Melts Into Air' and the final release in n5MD special repress series in partnership with Oakland's Carrot and Stick press. Originally release via the Unlabel imprint back in 2006 this newly remastered and repackaged version featured 4 bonus tracks 3 of which are previously unreleased. A special treat for fans of the Limp collective of artists.