The fifth full-length album from Portland, OR-based black-ish metal band Agalloch, The Serpent & The Sphere, opens with a 10-and-a-half-minute track called “Birth And Death Of The Pillars Of Creation,” and it is a mindfuck. The song spends some three and a half minutes laboriously building from near-total silence, and upon finally hitting its groove, it proceeds for the next seven goddamn minutes at like 56BPM — a rhythm you might describe as “adagio” or “deliberate” or “glacial.” Frontman John Haughm’s lead vocals are mostly whispered, his rhythm guitar track is entirely acoustic; there’s some portentous plainsong chanting, and at numerous points, components of the already spare instrumentation peel away, leaving only one or two pieces in play, as if the song is buckling under its own enormous weight. It reminds me a lot of the elegant and deeply depressive funeral doom made by Australia’s Mournful Congregation (or Agalloch’s Profound Lore labelmates Loss, from Nashville), although it doesn’t attempt to wring quite the same powerful drama from those sonic elements. It’s not a difficult song, exactly — it’s rather refined and beautiful-sounding, in fact — but on first blush, as an opening track and inaugural statement, it makes no fucking sense.
Collection includes 4 studio albums, 4 EP and 3 compilations by American dark folk metal band Agalloch.
Viva Hate Records will release their fourth album entitled ”Marrow Of The Spirit”. Not only does ”Marrow Of The Spirit”, compared to its predecessors, feature the fundamentally significant fresh qualitites which mark each new Agalloch release, but it is also the first album recorded with new drummer Aesop Dekker…
Keeping the songs short and to the point, Poco lets loose with a fine batch of material. This time out, they even cover the Becker-Fagen song “Dallas” with great verve.
Christine Perfect is the eponymous debut solo album of former Chicken Shack keyboardist/singer Christine Perfect (later known as Christine McVie). The album was released just after Perfect had left Chicken Shack, but before she joined Fleetwood Mac. It contained the Etta James song, “I’d Rather Go Blind”, which had earlier been a hit single for Chicken Shack.