Adele Evans

Paige Evans - Perry McLaughlan Photoshoot  Girls

Posted by nrg at March 20, 2017
Paige Evans - Perry McLaughlan Photoshoot

Paige Marie Evans - Perry McLaughlan Photoshoot
7 jpg | up to 960*1438 | 4.31 MB
Australian model

Elaina Evans - Ryan Myers Photoshoot 2017  Girls

Posted by nrg at Jan. 18, 2018
Elaina Evans - Ryan Myers Photoshoot 2017

Elaina Evans - Ryan Myers Photoshoot 2017
9 jpg | up to 1000*1501 | 1.45 MB
American model
Bill Evans - Further Conversations With Myself (1967/2016) [Official Digital Download 24/192]

Bill Evans - Further Conversations With Myself (1967/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 35:08 minutes | 1,47 GB
Studio Master, Official Digital Download | Artwork: Front cover

For Bill Evans' second solo record of unaccompanied but overdubbed piano solos, he decided to simplify the concept used in Conversations with Myself (which had him playing three pianos) by only playing two this time. The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's "Emily" and "Santa Claus Is Coming to Town" are most memorable. A thoughtful and (despite the overdubbing) spontaneous-sounding set of melodic music.
J.S. Bach - Six Suites for Solo Violoncello transcribed for Harpsichord, Winsome Evans (2016) {ABC Official Digital Download}

J.S. Bach - Six Suites for Solo Violoncello transcribed for Harpsichord, Winsome Evans (2016) {ABC Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (prestoclassical.co.uk) -> 1.44 Gb | MP3 @320 -> 503 Mb
Full Artwork (jpg+pdf) -> 12 Mb | 5% repair rar
© 2016 ABC Classics / Winsome Evans | 481 2901
Classical / Baroque / Chamber Music / Harpsichord

Leading early music expert Winsome Evans presents the final chapter in her ground-breaking project to transcribe and record Bach’s solo instrumental works for the harpsichord, with the Six Cello Suites and Partita for Solo Flute. Evans’ project, some 30 years in the making, is based on evidence that Bach himself played his solo instrumental works on the keyboard – including the statement of a former student that Bach often played the solo violin and cello works ‘on the clavier, adding as much in the nature of harmony as he found necessary’. The harmonies added by Evans to the solo works are inspired by methods from Bach’s own time.
Bill Evans - You Must Believe In Spring (1981) [Reissue 2003] (Repost)

Bill Evans - You Must Believe In Spring (1981) [Reissue 2003]
EAC Rip | WavPack (image+.cue+log) - 328 MB | MP3 CBR 320 kbps (LAME 3.93) - 154 MB | Covers (17 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Warner Bros. Records (8122-73719-2)

This well-rounded set (released posthumously) features the highly influential pianist Bill Evans in a set of typically sensitive trio performances. With his longtime bassist Eddie Gomez and his drummer of the period, Eliot Zigmund, Evans explores such songs as "We Will Meet Again," Jimmy Rowles's classic "The Peacocks" and the "Theme from M*A*S*H." It's a solid example of the great pianist's artistry.
Bill Evans - You're Gonna Hear From Me (1969) {Milestone 0025218916424 rel 1988}

Bill Evans - You're Gonna Hear From Me (1969) {Milestone 0025218916424 rel 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 264 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar
© 1969, 1988 Milestone / Fantasy | 0025218916424
Jazz / Cool / Modal Music / Piano

This CD reissue is the companion to Jazzhouse, for both were recorded on the same night at the Montmartre in Copenhagen. Evans' regular trio of the time (which included bassist Eddie Gómez and drummer Marty Morell) is in exuberant form performing before an enthusiastic crowd. In addition to versions of his famous "Waltz for Debby" and "Time Remembered," Evans plays seven of his favorite standards, including "You're Gonna Hear from Me," "Nardis," and "Emily." An excellent all-around set that was not originally released until 1988.

Elle Evans - James Banasiak Photoshoot 2015  Girls

Posted by nrg at Dec. 28, 2017
Elle Evans - James Banasiak Photoshoot 2015

Elle Evans - James Banasiak Photoshoot 2015
4 jpg | up to 1280*921 | 453 KB
American model

Bill Evans - Montreux II (1970/2013) [DSD64 + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at Dec. 25, 2017
Bill Evans - Montreux II (1970/2013) [DSD64 + Hi-Res FLAC]

Bill Evans - Montreux II (1970/2013)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 39:37 minutes | 1,1 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 39:37 minutes | 837 MB
Studio Master, Official Digital Download | Artwork: Front cover

"Montreux II" is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Montreux Jazz Festival in Switzerland in 1970 and released on the CTI label. The album was the second of Evan's Montreux concert recordings to be released following the Grammy Award-winning "Bill Evans at the Montreux Jazz Festival" (1968).

The Bill Evans Collection for Solo Guitar: Guitar TAB (Repost)  eBooks & eLearning

Posted by step778 at Dec. 20, 2017
The Bill Evans Collection for Solo Guitar: Guitar TAB (Repost)

Bill Evans, Greg Stone, "The Bill Evans Collection for Solo Guitar: Guitar TAB"
2000 | pages: 28 | ISBN: 0769291708 | PDF | 1,6 mb

Stan Getz & Bill Evans - Stan Getz & Bill Evans (1973) (Repost)  Music

Posted by gribovar at Dec. 15, 2017
Stan Getz & Bill Evans - Stan Getz & Bill Evans (1973) (Repost)

Stan Getz & Bill Evans - Stan Getz & Bill Evans (1973)
EAC Rip | WavPack (image+.cue+log) - 362 MB | MP3 CBR 320 kbps (LAME 3.93) - 158 MB | Covers (11 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (833 802-2)

The only studio meeting between Stan Getz and Bill Evans took place over two days in 1964, with the aggressive drummer Elvin Jones and either Richard Davis or Ron Carter on bass. It is peculiar that Verve shelved the results for over a decade before issuing any of the music, though it may have been felt that Getz and Evans hadn't had enough time to achieve the desired chemistry, though there are memorable moments. The punchy take of "My Heart Stood Still," the elegant interpretation of "Grandfather's Waltz," and the lush setting of the show tune "Melinda" all came from the first day's session, with Davis on bass…