A unique complete collection released for the first time in Los Angeles, California, the Hamazkayin Music Committee is proud to present the works of Aram Khachaturian who was the first composer to place Armenian music on the international podium. By blending his individual creativity with distinctive features common to West European art forms, the style of medieval monophony, Armenian folkloric traditions, the art of ashughs, and the purism of artistic expression of the great Komitas, Khachaturian created a new aesthetic dimension in the art of music…
A midprice reissue collecting this young French pianist s three baroque recordings. I fell in love with Tharaud s Rameau disc several years ago and never once missed the rattling sound of the harpsichord. Tharaud points out that Rameau s frequent ornamentation would have served to prolong notes on a harpsichord. This isn t necessary on a modern piano, and there s an incredible delicacy to the pianism here, with the trills and turns played with a barely credible lightness of touch. It s infectious stuff, with the witty character pieces from the Suite in G vivid and alive.
This set of 3 cds, comprises the complete works of Armenian composer Parsegh Ganatchian, one of the most illustrious pupils of Komitas, the father of Armenian music. This collection is the product of a long and painstaking effort to collect and showcase all of his choral compositions, solo songs and childrens's songs. The recordings took place in Yerevan with the participation of the Armenian State Radio and Television Chamber Choir, the children's choir "Little Singers of Armenia" and various well known professional soloists, under the artistic direction of acclaimed conductor Tigran Hekekian..
Pieter-Jan Belder has made over 100 recordings, including the complete Telemann Tafelmusik for Brilliant Classics, and this set is part of his project to record all of Rameau’s keyboard music. On this 3CD set are Rameau’s great sets of pieces for keyboard – Pièces de Clavecin en Concerts of 1741, the Pièces de Clavecin of 1705 and 1724, and the Nouvelle Suites de Pièces de Clavecin of 1726. In the centuries that have passed since his death in 1764, he has been consistently praised by composers such as Debussy (‘A composer I cannot recommend strongly enough is Rameau’ he wrote in 1903), Hindemith, Tartini, D’Indy, and Gluck – what a variety! All wrote of their indebtedness to him, and acknowledged his influence.
This second volume of miscellaneous chamber works contains all of the music that is not a formal quartet, quintet, or sextet. In includes the piano trios, the wonderful Terzetto for two violins and viola, works for solo instrument and piano, pieces for piano four-hands, and all of those little, undefinable works, some of which (such as the Bagatelles for two violins, cello, and harmonium) are magnificent.
Violinist Vaughan Jones brings us a fascinating collection of 18th century solo works. Three hundred years after their first publication, Austrian composer Johann Joseph Vilsmayr's Six Partitas for Solo Violin are recorded here in their entirety for the first time. Johann Georg Pisendel was a famous Baroque violinist and composer. His fiendishly difficult Violin Sonata is an unpredictable, tempestuous and capricious work, showing great scope and ambition. To round out the recording, Jones plays the famous Passacaglia by Biber - a somber, moving work and a perfect end to this noteworthy set.