Boundary busting and inventive though it was, Kalimba (ACT, 2007)—the first album by German pianist Joachim Kuhn, Moroccan vocalist and guembri player Majid Bekkas, and Spanish drummer Ramon Lopez—ultimately felt like Kuhn's album more than a fully integrated, cross-cultural group exercise. Two years on, the trio's second outing, Out Of The Desert, offers a deeper mix—and an altogether more absorbing one.
Over the course of the past five years or so, The Vandelles have come to command their own corner in the local music scene. They occupy a territory that covers the Pulp-rock stylings of early Jesus and Mary Chain colliding with a sandy island of slinky hula riffs and harmonic dissonance.
Swedish Folk Modern first appeared in 1998 and was the first duo collaboration between Nils Landgren and Esbjörn Svensson. At the time the well-known German jazz journalist and pianist Michael Naura wrote: "Don’t ignore the CD Swedish Folk Modern, with first class Swedish improvisers Nils Landgren (trombone) and Esbjörn Svensson (piano). At last something beautiful after all the rubbish which is appearing on the market. This CD release became a worldwide success and was followed by the CD Layers Of Light (ACT 9281-2) in 2001.
Despite the fact that 2008’ Leucocyte, would be the Esbjörn Svensson Trio's final album due to the tragic scuba diving accident that killed Svensson, this was a band that had traversed such wide musical territory they deserved a retrospective treatment simply to sum up what had transpired between the release of 1993’s When Everyone Has Gone and that premature finale. While this 70-minute single disc doesn’t contain any unreleased material, or pre-1999 material (in favor of presenting the trio’s fully developed aesthetic), it is beautifully compiled.