"…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections." ~folk roots
Following the warm response that graced their return CD, Icon, in May 2005 and the Icon EP in August 2005, John Wetton and Geoff Downes are now offering an acoustic DVD filmed for a broadcast special at TV studios during October 2005. Stripping bare a selection of their classic songs, John and Geoff demonstrate how they originally sounded around the piano, accompanied by acoustic guitar or acoustic bass. ELO’s Hugh McDowell joins them on cello and the three virtuosos clearly enjoy the opportunity to relax while performing in front of the cameras. At the time of recording this broadcast, they were keeping quiet about the plans for a 25th anniversary reunion of the founder members of Asia, including Steve Howe and Carl Palmer, which were publicised in February 2006. 2005 and 2006 has seen the original "Heat of the Moment" grace the soundtracks of 2 Hollywood blockbusters, the number 1 film of Summer 2005 [40 year old virgin], and Pierce Brosnan’s Golden Globe nominee "The Matador" which has graced the top 10 both sides of the Atlantic.
In the dense annual blizzard of holiday albums, A VERY SPECIAL ACOUSTIC CHRISTMAS shines like a gleaming treetop star from a warm, inviting living room, thanks to its organic, no-frills approach and its remarkable lineup of performers. Dan Tyminski (of O BROTHER, WHERE ART THOU? fame) offers up a charming version of "Frosty the Snowman," while Willie Nelson lends his legendary voice and guitar playing to a fine take on "Please Come Home for Christmas." Alison Krauss contributes her surprisingly poppy "Only You Can Bring Me Cheer (Gentleman's Lady)," Marty Stuart confides that "Even Santa Claus Gets the Blues," and Pat Green saunters through a relaxed "Winter Wonderland." Bringing the Yuletide album to an appropriate close is Norah Jones, in a beautiful solo rendition of Horace Silver's "Peace".
Pianist Denny Zeitlin has the distinction—among many others—of having written one of the loveliest of loves songs: "Love Theme From Invasion of the Bodysnatchers." The tune can be heard in its unadorned beauty on Zeitlin's Precipice (Sunnyside Records, 2010), the recording of an extraordinarily beautiful and adventurous solo concert. The original version of the tune, from the soundtrack of the 1978 movie, Invasion of the Bodysnatchers (1978)—a masterful remake of the classic 1954 science fiction film—was Zeitlin's lone effort at writing for film. Hired originally to do a "jazz" score, Zeitlin found it necessary—when plans changed—to convince the powers-that-be that he was indeed capable of writing music for symphony orchestra and electronics—the then-new-on-the scene synthesizers.
Natural-born archivist that he is, it is no surprise that Jack White would eventually choose to curate his own career. Acoustic Recordings 1998-2016 is his first attempt at offering an alternative narrative of his own career, one that places his quieter side as the connecting thread running from the White Stripes through the Raconteurs to his solo work. It's a tactic that diminishes some of the conventional notions about White, particularly that most of his music is grounded in the blues. Despite Greil Marcus' mention of blues icon Son House in the liner notes, most of the music on Acoustic Recordings 1998-2016 bears stronger ties to country and folk, even British Invasion pop; the latter is evident not only on the singsong whimsy of "We're Going to Be Friends" but the cinematic melancholy of "Forever for Her (Is Over for Me)."
On this episode of "Factory Made", discover how bottlecans, acoustic guitars, lighters and Buckeye candies are made!
„The Offering“ – das ist akustische Gitarrenmusik in ihrer reinsten Ausprägung, ohne Overdubs oder Studio-Tricks. Getragen von fließenden Melodiebögen vermischt Michailidis Folk, Pop und Jazz zu einem prächigen Pastell-Gemälde, das Klischees konsequent vermeidet…
Packaged in a sleeve that (not accidentally) reminds one of the Beatles' White Album, this first released collection of Belew's acoustic renderings is all around a pleasant listen…