Acoustic And The Performance of Music

Acoustics and the Performance of Music (5th edition) [Repost]  

Posted by ChrisRedfield at Nov. 24, 2015
Acoustics and the Performance of Music (5th edition) [Repost]

Jürgen Meyer - Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects and Musical Instrument Makers (5th edition)
Published: 2009-02-20 | ISBN: 0387095160, 1441918604 | PDF | 446 pages | 9.06 MB
Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects and Musical... (repost)

Jürgen Meyer, "Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects and Musical Instrument Makers"
English | 2009 | ISBN: 0387095160 | 438 pages | PDF | 7,4 MB

This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice…

Acoustics and the Performance of Music (repost)  

Posted by luckeygirl at March 2, 2011
Acoustics and the Performance of Music (repost)

Acoustics and the Performance of Music
Springer; 5th edition | February 20, 2009 | ISBN-10: 0387095160 | 438 pages | PDF | 7.4 Mb

This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice, the way in which the sounds made by these instruments are dispersed and how the room into which they are projected affects the sounds.
Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects

Jürgen Meyer, "Acoustics and the Performance of Music: Manual for Acousticians, Audio Engineers, Musicians, Architects and Musical Instrument Makers"
Springer | 2009 | ISBN: 0387095160 | 438 pages | PDF | 8 MB
The Original Guitar Hero and the Power of Music: The Legendary Lonnie Johnson, Music, and Civil Rights

The Original Guitar Hero and the Power of Music: The Legendary Lonnie Johnson, Music, and Civil Rights By Dean Alger
2014 | 384 Pages | ISBN: 1574415468 | PDF | 6 MB
Elements of Architecture: Assembling archaeology, atmosphere and the performance of building spaces

Elements of Architecture: Assembling archaeology, atmosphere and the performance of building spaces By Mikkel Bille, Tim Flohr Sorensen
2016 | 462 Pages | ISBN: 113877541X | PDF | 11 MB
Olympic Ceremonialism and the Performance of National Character [Repost]

Olympic Ceremonialism and the Performance of National Character by Rodanthi Tzanelli
English | 24 Apr. 2013 | ISBN: 1137336315 | 178 Pages | PDF | 8 MB

In recent decades ceremonies stood in Olympiads as both vehicles of cultural values and shows embracing the banal and the everyday. But how much do we understand them as forms of public art?
Air Castle of the South: WSM and the Making of Music City (Music in American Life)

Air Castle of the South: WSM and the Making of Music City (Music in American Life) by Craig Havighurst
English | Nov. 5, 2007 | ISBN: 0252032578 | 320 Pages | PDF | 4.05 MB

Started by the National Life and Accident Insurance Company in 1925, WSM became one of the most influential and exceptional radio stations in the history of broadcasting and country music.
The Conjectural Body: Gender, Race, and the Philosophy of Music

The Conjectural Body: Gender, Race, and the Philosophy of Music (Out Sources: Philosophy-Culture-Politics) by Robin James
English | Sep 14, 2010 | ISBN: 0739139029 | 210 Pages | PDF | 2 MB

Grounded in continental philosophy, The Conjectural Body: Gender, Race, and the Philosophy of Music uses feminist, critical race, and postcolonial theories to examine music, race, and gender as discourses that emerge and evolve with one another.. In the first section, author Robin James asks why philosophers commonly use music to explain embodied social identity and inequality.
The American Musical and the Performance of Personal Identity

The American Musical and the Performance of Personal Identity by Raymond Knapp
English | Mar 22, 2009 | ISBN: 0691141053 | 488 Pages | PDF | 4 MB

The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project.