Accordone Passio

Passio Christi  eBooks & eLearning

Posted by Barvaz at April 1, 2018
Passio Christi

Passio Christi by Angelo Andrei
Italian | 2013 | ISBN: 9788891054814 | 85 pages | PDF | 0.7 MB
Marco Beasley, Guido Morini & Accordone - Morini: Solve et coagula (2014) [Official Digital Download]

Marco Beasley, Guido Morini & Accordone - Morini: Solve et coagula (2014)
FLAC (tracks) 24-bit/44.1 kHz | Time - 67:51 minutes | 707 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

This new recording pays tribute to an ill-known, mysterious figure of 18th-century Naples: Prince Raimondo di Sangro. A soldier, scientist, poet, alchemist and freemason, he bequeathed us a palace and a magnificent chapel, the site of a tragedy that was at the origin of the murder committed by the great composer Gesualdo.
Fritz Naf, Die Basler Madrigalisten - Alessandro Scarlatti: Passio Secundum Joannem (2010)

Fritz Näf, Die Basler Madrigalisten - Alessandro Scarlatti: Passio Secundum Joannem (2010)
EAC | FLAC | Image (Cue & Log) ~ 223 Mb | Total time: 54:36 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697 57617 2 | Recorded: 1981

Alessandro Scarlatti’s St John Passion was the first Passion setting written in seventeenth-century Italy. Scarlatti treats the role of the Evangelist (composed in the mezzo-soprano register) in highly unusual fashion, giving his narrative numerous emotional passages. The Voice of Christ (bass) is invariably haloed by a string accompaniment.
Marco Beasley - Accordone - Il sogno d'Orfeo (Monteverdi, Purcell, Calestani, Strozzi, Pagano) [2000]

Marco Beasley - Accordone - Il sogno d'Orfeo (Monteverdi, Purcell, Calestani, Strozzi, Pagano) [2000]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 264 MB
Classical | Label: ORF | Catalog Number: CD247 | TT: 54’18

Live record from a concert in the "Resonanzen 1999" series, Wiener Konzerthaus 1999.
L'Ensemble Accordone - La Bella Noeva - Le Festival de Maguelone (2011) [HDTV 1080i]

L'Ensemble Accordone - La Bella Noeva - Le Festival de Maguelone (2011) [HDTV 1080i]
AVC High@L4.0, 1920x1080 (16:9), ~5.6Mbps, 25fps | MP2 256kbps, 48kHz, 2ch | 01:20:00 | 3.5 GB
Classical, Baroque Italian | HDTV -> TS

Guido Morini (direction, harpsichord) and Marco Beasley (vocal) founded Accordone in 1984, motivated by a great passion for the music before Bach, for original instruments and for a new musicological approach to problems of interpretation. "La Bella Noeva" is a programme presenting all the musical and interpretative features which characterize their work. Ranging from Gregorian chant to Monteverdi, from the ancient tarantellas of Salento to music expressly composed by Guido Morini, Marco Beasely's charismatic voice captivates the listener as he rediscovers a repertory that has all too often been regarded as the preserve of specialists and musicologists.
Chœur de Chambre de Namur, Millenium, Leonardo García Alarcón - Scarlatti: Passio secundum Johannem (2017)

Chœur de Chambre de Namur, Millenium, Leonardo García Alarcón - Scarlatti: Passio secundum Johannem
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 58:58 min | 283 MB
Label: Ricercar – RIC 378 | Tracks: 13 | Rls.date: 2017
Classical, Choral, Sacred

Alessandro Scarlatti’s St John Passion was the first Passion setting written in seventeenth-century Italy. Scarlatti treats the role of the Evangelist (composed in the mezzo-soprano register) in highly unusual fashion, giving his narrative numerous emotional passages.
Cappella Neapolitana & Antonio Florio - Veneziano: Passio (2016)

Cappella Neapolitana & Antonio Florio - Veneziano: Passio
Classical, Opera | WEB FLAC (tracks) & d. booklet | 55:37 min | 294 MB
Label: Glossa | Tracks: 09 | Rls.date: 2016

For Glossa s new 'Passio' release Antonio Florio has discovered and prepared a performing edition of the 1685 St John Passion setting by the Neapolitan composer Gaetano Veneziano: a contemporary of Scarlatti, favoured pupil of Francesco Provenzale and maestro in the royal chapel. It features countertenor Raffaele Pe in the technically demanding role of the Evangelist. Until recently, Italian Passiontide settings from the Baroque era have amounted to only that by Alessandro Scarlatti, but this score by Veneziano has been found in the Archivio dell Oratorio dei Girolamini in Naples.
Ricercar Consort, Philippe Pierlot - J.S. Bach: Passio secundum Johannem (St. John Passion, BWV 245) (2011) [TR24][OF]

Ricercar Consort, Philippe Pierlot - J.S. Bach: Passio secundum Johannem (St. John Passion, BWV 245)
Classical | FLAC (tracks) 24-bit/88.2 kHz | 113:12 min | 1.78 GB | Digital booklet
Label: Mirare | Tracks: 27 | Rls.date: 2011

A new recording from Ricercar Consort is always special and this one is no exception. The enterprising Mirare label presents the group s powerful new recording of J.S. Bach s St. John Passion. Although not as popular as the St. Matthew Passion, the St. John is equally rich with the invention and beautiful melodies that Bach is famous for. The soloists here are on top form and their truly wondrous performance will surely elicit raves from critics. Last year s Bach Magnificat with similar forces received excellent reviews including a Gramophone Editor s Choice and a BBC CD Review disc of the week.
Paisiello - Passio di San Giovanni (L'Arte del Mondo, Ehrhardt) (2009)

Paisiello - Passio di San Giovanni (L'Arte del Mondo, Ehrhardt) (2009)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 284 mb | MP3 CBR 320kbps | RAR | 162 mb
Classical, Vocal, Sacred | Label: Capriccio / 60133

The Passion according to St John as recorded here is a rather simple work. The Passions written by Italian composers are in no way comparable to the Passions which were written in Germany. This was the direct result of the reforms of the Council of Trent (1545-1563) which ordered settings of the Passion story to be simple, using only the text of the Gospels without any free poetic addition. So this Passion isn't much different from the Passions written in the renaissance. It is also part of a tradition in Naples, performing the St John Passion on Good Friday. The best-known example is Alessandro Scarlatti's St John Passion, written about 100 years earlier.
Arvo Part - Passio (1988) (The Hilliard Ensemble, P Hillier)

Arvo Part - Passio (1988) (The Hilliard Ensemble, P Hillier)
Classical | 1cd | EAC Rip | Flac + Cue + Log | covers
ECM 1370 837109-2 | rel: 1988 | 305Mb

Pärt's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method.