The story of the Cranberries is one of dogged survival. Debuting with a maiden release that everybody seemed to rate as a portent of great things, the band suffered not only a "difficult" second album but also an absolute stinker of a third one, as the bandmembers strove desperately – too desperately – to live up to their reputation for sensitivity and thoughtfulness, and completely lost sight of their true virtues in the process. Internecine squabbling, health problems, and general disaffection all took further toll, so much so that, as the band prepared to release its fourth album, 1999's Bury the Hatchet, many observers were shocked to learn that the band even existed any longer, let alone was capable of actually making a new record – especially one that was as good as Bury the Hatchet turned out to be. Filmed at the Paris Omnisport de Bercy on December 9, 1999, toward the end of that album's accompanying tour, Beneath the Skin captures the full 84-minute concert performance, with the band ranging and, occasionally, raging through a veritable greatest-hits collection. The 22 tracks date back to the shimmering beauty of the Everybody Else Is Doing It era, fast forward through the highlights (and there were a few) of the two albums that followed, and then climax with eight cuts from the new record, including an opening salvo of "Animal Instinct," "Loud and Clear," and "Promises" that restates Hatchet's own defiant kickoff.
Yuko Mabuchi, piano; Del Atkins, bass; and Bobby Breton, drums; performed for a full house at the Brain and Creativity Institute’s intimate Cammilleri Hall on March 31st, 2017. Yarlung recorded this classic performance in this intimate jewel of a concert hall. Yuko, Del and Bobby performed as a cohesive unit, and subsequent concert bookings will no doubt spread their music around the world.
This gigantic 33 CD boxset features Wand's stunning recordings with renowned orchestras such as the Berliner Philharmoniker, Chicago Symphony Orchestra and NDR-Sinfonieorchester. This edition contains magnificent recordings personally authorized by Wand himself, such as Beethoven, Brahms, Bruckner and Schubert symphonies.