Jim Trask, former sheriff of Abilene, returns to the town after fighting for the Confederacy to find everyone thought he was dead. His old friend Dave Mosely is now engaged to Trask's former sweetheart and is one of the cattlemen increasingly feuding with the original farmers. Trask is persuaded to take up as sheriff again but there is something about the death of Mosely's brother in the Civil War that is haunting him.
In the 19th century, siblings Abilene and Tod, orphaned on their western farm, become attracted to each other, sexually. The confused Tod fleas to a nearby town where he meets Linda, a local bar girl, and begins a sexual relationship with her, while a rough cowboy, named Rawhide, sexually assaults Abilene leading Tod wanting revenge despite Linda's wariness and growing compassion for Abilene.
Long John's second album for the Alligator imprint is even more potent than his first, Texas Border Legend. This time around, Hunter's sly, drawling vocals and stinging clusters of guitar are well to the fore, keeping the spotlight firmly in place on this Texas guitar legend. The record was cut in Austin and Abilene, Texas, and as such boasts Lone Star talent like Derek O'Brien, who plays rhythm guitar on this disc and solos on "I Don't Care" and "V-8 Ford." Mark "Kaz" Kazanoff blows saxophone on eight tunes and harmonica on "Locksmith Man." For his part, Hunter contributes 10 of the 14 tunes, co-writing with various members of his Walking Catfish Band or his co-producers, Tary Owens and John Foose. Long John's no-holds-barred approach literally screams Texas blues, letting you know you're listening to an originator, not an imitator.