Abels Heinz

Andras Schiff, Budapest FO, Heinz Holliger - Sandor Veress: Hommage a Paul Klee; Concerto; 6 Csardas (1998) [Repost, New Rip]

Sándor Veress: Hommage à Paul Klee;
Concerto for Piano, Strings & Percussion; 6 Csárdás (1998)
András Schiff, piano; Dénas Várjon, piano; Gábor Takács-Nagy, violin
Budapest Festival Orchestra; Heinz Holliger, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 267 Mb | Mp3 (CBR320) ~ 146 Mb | Scans ~ 132 Mb
Classical | Label: Teldec Classics | # 0630-19992-2 | Time: 01:03:22

A countryman of Bela Bartók and a sometime teacher to both György Ligeti and György Kurtág, Sándor Veress emigrated to Switzerland from what was then part of Hungary in 1949. Settling in Bern, he collected various prizes and teaching posts while working in relative obscurity on who knows how many pieces–most of which have been unavailable. This collection is made up of a pithy trio of compositions dated 1938 (Six Csárdás), 1951 (Hommage à Paul Klee), and 1952 (Concerto for Piano, Strings, and Percussion), and they show what a deftly melodic force Veress was. He's thrilled by blustery string wafts, especially in the concerto, where the percussion adds drama and immediacy. But he also favors sweetly chipper string formations, which surprise the ear during the homage to Klee, especially given the dissonances fostered early on by the twin pianos. The closing piano miniatures of Six Csárdás are counterpoint-rich gems, played with sharp precision by András Schiff.

IdentitätMay by Heinz Abels  eBooks & eLearning

Posted by tanas.olesya at June 1, 2016
IdentitätMay by Heinz Abels

IdentitätMay by Heinz Abels
German | 2006 | ISBN: 353115138X | 495 Pages | PDF | 26 MB

Über die Entstehung des Gedankens, dass der Mensch ein Individuum ist, den nicht leicht zu verwirklichenden Anspruch auf Individualität und die Tatsache, dass Identität in Zeiten der Individualisierung von der Hand in den Mund lebt.

The Dream of Reality: Heinz Von Foerster's Constructivism (2nd edition) (Repost)  eBooks & eLearning

Posted by insetes at Nov. 13, 2017
The Dream of Reality: Heinz Von Foerster's Constructivism (2nd edition) (Repost)

The Dream of Reality: Heinz Von Foerster's Constructivism (2nd edition) By Lynn Segal
2001 | 184 Pages | ISBN: 038795130X | PDF | 5 MB

Panzer Lightning: Heinz Guderian, Hitler's Sword [Audiobook]  eBooks & eLearning

Posted by tarantoga at Nov. 1, 2017
Panzer Lightning: Heinz Guderian, Hitler's Sword [Audiobook]

James Smithson, Daniel F Purcell (Narrator), "Panzer Lightning: Heinz Guderian, Hitler's Sword"
ASIN: B076ZZDK29 | 2017 | MP3@64 kbps | ~07:57:00 | 226 MB
Camerata Bern, Heinz Holliger - Sandor Veress: Passacaglia Concertante; Songs Of The Seasons; Musica Concertante (1995)

Sándor Veress: Passacaglia Concertante; Songs Of The Seasons; Musica Concertante (1995)
Camerata Bern; Heinz Holliger, oboe & conductor; London Voices; Terry Edwards, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 272 Mb | Mp3 (CBR320) ~ 155 Mb | Scans included
Classical, Modern | Label: ECM | # ECM New Series 1555, 447 390-2 | 01:02:41

Hungarian-born Sándor Veress (1907-1992) is a sadly neglected figure in modern music. Despite his pupilage under Bela Bartók and Zoltán Kodály, and even his succession over the latter as professor of composition at the Budapest School of Music in 1943, Veress has never attained the same international recognition as his two most successful compatriots. One might blame his preference for solitude or his idiomatic methodology for keeping him in obscurity. Yet as one who made the most of his outlier status and ideological exile, he seems never to have been one to wallow in self-pity. Exposed to much of the folk music that also captivated his mentors, Veress nurtured that same spirit when sociopolitical upheaval exacerbated his emigration to Switzlerland in 1949. Whereas Kodály in particular saw cultural preservation as central to the musical act, Veress saw it as an incision to be teased open and unraveled.

Das große Heinz Erhardt Buch (Repost)  eBooks & eLearning

Posted by nebulae at Sept. 17, 2017
Das große Heinz Erhardt Buch (Repost)

Heinz Erhardt, "Das große Heinz Erhardt Buch"
German | 2003 | Auflage: 3 | ISBN: 3442066786 | 320 pages | EPUB | 8,5 MB
Staatsphilharmonie Rheinland-Pfalz & Karl-Heinz Steffens - Vaughan Williams: Orchestral Works (2017)

Staatsphilharmonie Rheinland-Pfalz & Karl-Heinz Steffens - Vaughan Williams: Orchestral Works (2017)
Classical | MP3 CBR 320 kbps | 01:12:00 | 169 MB
Label: CapriccioNR

Around the beginning of the 20th century, Ralph Vaughan Williams, together with his friend Gustav Holst, deliberately began to free his compositional style from ‘German influences’, moving towards a more British musical style and finding inspirational models in English folk music. Most of the works recorded here are lesser-known pieces by the composer, but each clearly reflects Vaughan Williams' uniquely personal style.
Hans Willi Hausslein & Heinz Rehfuss & Frank Martin - Heinz Rehfuss - The Decca Recitals (2017)

Hans Willi Hausslein & Heinz Rehfuss & Frank Martin - Heinz Rehfuss - The Decca Recitals (2017)
Classical | MP3 CBR 320 kbps | 01:21:37 | 188 MB
Label: Decca

In several valuable and newly remastered releases under ‘The Decca Recitals’ banner, Eloquence has compiled tributes to several fine singers of the 1950s whose vocal personality particularly fitted the demands of art song: among them Jacques Jansen, Irma Kolassi and Oda Slobodskaya. They are now joined by an 82-minute, single-CD issue of the song recordings made for Decca by the Swiss baritone Heinz Rehfuss. Rehfuss was an authoritative and keenly sympathetic presence on sets of Pelléas et Melisande (directed by Ernest Ansermet and reissued on Eloquence and the St. Matthew Passion (with Hermann Scherchen) which have attained the status of classics. Other Ansermet reissues on which he features include rarities by Ravel and Stravinsky.

Heinz Rein - Berlino ultimo atto  eBooks & eLearning

Posted by Karabas91 at June 15, 2017
Heinz Rein - Berlino ultimo atto

Heinz Rein - Berlino ultimo atto
Italian | 2017 | 883 pages | ASIN: B01N5OQTEN | EPUB | 1,4 MB
Aurele Nicolet, Heinz Holliger - Antonio Salieri, Domenico Cimarosa, Carl Stamitz: Concertos for Flute And Oboe (1986)

Antonio Salieri, Domenico Cimarosa, Carl Stamitz: Concertos for Flute And Oboe (1986)
Aurèle Nicolet, flute; Heinz Holliger, oboe
Academy of St. Martin in the Fields; directed by Kenneth Sillito

EAC | FLAC | Image (Cue&Log) ~ 255 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Genre: Classical | Label: Philips | # 416 359-2 | Time: 00:54:55

A cheerful little record, this, of three lightweight works played most exquisitely by very distinguished artists. In fact I am not sure that the chief distinction doesn't emanate from the orchestra: it is a while, as it happens, since I have heard the Academy of St Martin in the Fields and they seem to be playing here better than ever—sweet string tone, pure intonation, finely moulded phrasing, impeccably precise ensemble. Of the three works, the Cimarosa, written for two flutes (in which form it has several times been recorded), is the most attractive for its fluency, its melodiousness (the finale is a real charmer) and its elegant musical form; the Salieri seems by comparison rather carefully devised, though of course it has plenty of entertaining music. Carl Stamitz's piece takes itself more seriously, trying to be symphonic and taking less trouble about being tuneful—though the warm, galant slow movement makes very pleasing listening. The recorded sound is clear and true. (Stanley Sadie, Gramophone)