DG offers a terrific bargain here that anyone who follows this celebrated pianist will want to hear.
In January 2014, music lovers worldwide were saddened to learn that Claudio Abbado had passed away. Deutsche Grammophon feels immensely blessed and proud to be releasing together with Accentus Music Bruckner’s Symphony No. 9 in D Minor, which was recorded as part of Abbado’s final concert.
The town of Palermo was illuminated and Claudio Abbado revealed his strong Sicilian roots. Viewers of this concert, broadcasted on TV all across Europe, were inspired to see the maestro so relaxed, gesticulating so emphatically.
“Domingo easily outshines his earlier recording with Giulini…while Katia Ricciarelli as the Queen gives a tenderly moving performance, if not quite commanding enough in the Act V aria. Ruggero Raimondi is a finely focused Philip, nicely contrasted with Nicolai Ghiaurov as the Grand Inquisitor” Penguin Guide
If this is the future of Mozart performance practice, the future is secure. The combination of period instrument violinist Giuliano Carmignola and modern instrument conductor Claudio Abbado leading the youthful period instrument Orchestra Mozart produces something new under the sun: a hybrid of both approaches that takes the best from both and creates something fresh and shining. Carmignola, the leader of Venice's Teatro La Fenice and one of Italy's best period violinists, has a focused tone, a lively sense of rhythm, and a wonderful feeling for line and color.
Known for having elevated the symphony and the opera to popular levels in his lamentably short life, Mozart was also substantially involved in sacred music. Among many smaller works for solo chorus and for combined choral/orchestral forces, he composed an enormous seventeen settings of the Latin Mass, of which this is his last. But this C Minor mass, which is said he composed in 1782 and 1783, was never really completed in a way Mozart found satisfactory, and thus it has been up to others to put this work into coherent form. The recording here is based on the reconstruction done by Salzburg composer and musicologist Helmut Eder; he worked on the "Et Incanatus Est" section of the Credo, as well as the concluding Sanctus and Benedictus sections. The work is still Mozart's, and is scored for a fairly substantial orchestra: one flute; pairs of oboes, bassoons, horns, and trumpets; three trombones; timpani; organ; and the full string compliment, plus four soloists and chorus.
Many collectors would agree that Sviatoslav Richter was the greatest pianist of the 20th century. His enormous recorded legacy hides hundreds of treasures, many of which are included in this beautiful 51CD set. Released to celebrate the 100th anniversary of his birth (20th March 2015), the edition encompasses his complete Decca, Philips and DG recordings, including his Sofia Recital as well as his collaborations with Rostropovich, Karajan and Benjamin Britten.