At a time when cross-pollination has become the new musical evolution, ECM Records remains at the vanguard. Whether blending music of Tunisian origins with European impressionistic concerns and hints of New World groove on oudist Anouar Brahem's The Astounding Eyes of Rita (2009), or marrying Persian percussion with Baroque instrumentation and Fourth World improvisation on keyboardist Jon Balke's Siwan (2009), few labels (if any) can boast such an impressive catalogue of constant innovation, where unfailing respect for tradition is matched by an equal disregard for the hard-coded conventions that seem, on the surface, inherent to its very definition. ~ AllAboutJazz
Since 1996, during the height of the Provençal summer, the beautiful, historic city of Arles has hosted the Festival Les Suds - a joyous musical alchemy that combines singing, music and dance and both explores and redefines the cultural heart of southern Europe (and beyond). Over the course of a week, music from around the world resounds like a universal language. This deluxe, greatest hits package from World Village features highlights recorded over the festival's last decade.
The seventh in a series of 8 simultaneously released sets celebrating the most iconic British pop show of all time takes a journey back in time to a time of the Britpoppers, boy bands, girl bands and the rise and rise of R&B. Marking the period 1995-2000 this 3-CD collection includes Oasis, Cher, Underworld, Craig David, Hanson, Paul Weller, Texas and many more.
The sixth in a series of 8 simultaneously released sets celebrating the most iconic British pop show of all time takes a journey back in time to a time house music heroes, hip-hop and smooth grooves, indie darlings and transatlantic megastars. Marking the period 1990-1994 this 3-CD collection includes Sheryl Crow, Beats International, Stone Roses, The B-52’s, Gabrielle, New Order, Crowded House and many more.
This 1978 Italian compilation, a double LP, has proved to be one of Julio Iglesias' most popular with Italian audiences. Sung almost entirely in Italian, its 20 tracks represent two-thirds of the three albums Iglesias recorded for the Italian market between 1976 and 1978, when he was at the peak of his international popularity…