Concert Touring

Concert Sound and Lighting Systems, Third Edition by John Vasey  eBooks & eLearning

Posted by thingska at Jan. 5, 2015
Concert Sound and Lighting Systems, Third Edition by John Vasey

Concert Sound and Lighting Systems, Third Edition by John Vasey
English | Oct 4, 1999 | ISBN: 0240803647 | 216 Pages | PDF | 6,2 MB
Andre Rieu - La Vie Est Belle (2000 Mid-Summer Night Millenium Gala Concert) (2000-2012)

Andre Rieu - La Vie Est Belle (2000 Mid-Summer Night Millenium Gala Concert) (2000-2012)
HDTV 1080i | MKV | Cod. H264-MPEG-4 AVC (part 10), 1920x1080i, 10.4 Mbps, 25 fps | Audio: AC3, Chann. 2, Sample rate: 48 KHz, Bitrate: 384 kb/s | 6.06 GB
Classic / Neoclassic | Length:1h 19min | Uploaded/Uploadable/Bitshare
The Zombies - Odessey & Oracle {Revisited} (2009) [The 40th Anniversary Concert, Live at the Shepherd's Bush Empire] 2CD + DVD5

The Zombies - Odessey & Oracle {Revisited} (2009) 2CD + DVD5
The 40th Anniversary Concert - Live at the Shepherd's Bush Empire, London, 2008

EAC | FLAC | Image (Cue&Log) ~ 560 Mb | Mp3 (CBR320) ~ 202 Mb | 01:24:56 | Scans included
DVD5 | VIDEO_TS | PAL | 16:9 (720x576) VBR | AC3, 6ch, 384 kbps | 02:02:26 | ~ 3.7 Gb
Psychedelic Pop, Baroque Pop, Pop/Rock | Label: Redhouse | # REDHCD5/REDHDDVD1

When The Zombies' original members realized that it was 40 years since the release of their seminal album `Odessey & Oracle', they thought that it would be a great idea to get together again for a special anniversary celebration. So on the 7th, 8th and 9th of March 2008, along with Rod and Colin's touring band (also known as The Zombies), they played three sell-out gigs at the Shepherds Bush Empire in London to an ecstatic reception. Rod Argent, Colin Blunstone, Chris White and Hugh Grundy took to the stage and played the album for the first time ever. To capture the real sound of this iconic album, with its double-tracked harmonies, overdubbed keyboards and percussion. This double disc set is a recording made of the entire concert on the night of March 8th 2008. Disc One features 14 tracks (the whole album) whilst Disc Two features Colin Blunstone and Rod Argent solo recordings plus other Zombies recordings.

Dianne Reeves - In The Moment: Live In Concert (2000)  Music

Posted by BlondStyle at Feb. 25, 2018
Dianne Reeves - In The Moment: Live In Concert (2000)

Dianne Reeves - In The Moment: Live In Concert (2000)
R&B, Jazz, Vocal, Vocal Pop | EAC Rip | FLAC, Img+CUE+LOG+Scans (JPEG) | 73:56 Min. | 437,37 Mb
Label: Blue Note Records (USA) | Cat.# 7243 5 25141 2 0 | Released: 2000-07-04

Dianne Reeves struck the high point of the first day of the 1999 Playboy Jazz Festival at the Hollywood Bowl, finding a groove and running with it toward a swinging, stomping climax. Naturally then, anticipation ran high about this live recording, made only seven months later in the same city with the same Afro-Latin-accented backup band. What we get, though, is a different and mixed bag, an intimate, more musically varied concert before only 300 or 400 invited listeners in Los Angeles's S.I.R.
Ella Fitzgerald & Duke Ellington - The Stockholm Concert, 1966 (1984)

Ella Fitzgerald & Duke Ellington - The Stockholm Concert, 1966 (1984)
EAC Rip | WavPack (image+.cue+log) - 218 MB | MP3 CBR 320 kbps (LAME 3.93) - 88 MB | Covers - 29 MB
Genre: Vocal Jazz | RAR 3% Rec. | Label: Pablo (00025218024228)

After an auspicious beginning with the Chick Webb band and long solo run featuring a celebrated string of songbook albums on Verve (Cole Porter, George Gershwin, Rodgers & Hart, etc.), Ella Fitzgerald maintained her high profile from the mid-'60s onward, mostly by touring the world and - to a lesser extent - recording a series of enjoyable dates for Pablo. This informal-sounding, never before released Stockholm concert recording from 1966 shows why Fitzgerald as primarily a live performer is not such a bad thing. Backed by Duke Ellington's orchestra and her own trio of pianist Jimmy Jones, bassist Joe Comfort, and drummer Gus Johnson, she shows off her incredible interpretive skills on a mix of standards heavy with Ellington and Strayhorn classics…
Widespread Panic's - Tunes for Tots: 2011 Benefit Concert (2013)

Widespread Panic's - Tunes for Tots: 2011 Benefit Concert (2013)
TS: MPEG2 Video 1920x1080 29.97fps 16.6 Mbps | Dolby AC3, 2 ch, 384 kbps
Blues Rock, Southern Rock, Classic Rock | 01:03:26 | ~ 8.51 Gb

One of the many neo-hippie jam bands inheriting the road-warrior mantle left behind by the Grateful Dead, Widespread Panic established a devout grassroots following on the strength of constant touring and a loose, rootsy brand of Southern rock informed by jazz and blues textures…[/quote
Miles Davis - Amsterdam Concert (1957) {Lone Hill Jazz LHJ10141 rel 2005}

Miles Davis - Amsterdam Concert (1957) {Lone Hill Jazz LHJ10141 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 290 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar
© 1957, 2005 Lone Hill Jazz | LHJ10141
Jazz / Cool / Hard Bop / Trumpet

One of the least known Miles Davis recordings around, this release contains the complete Amsterdam Concertgebouw Broadcast recorded on December 8, 1957 with the talented tenor saxophonist Barney Wilen and the René Urtreger quartet. A recording which has remained virtually unavailable on any format for decades, Lone Hill Jazz is proud to put this hidden gem back into circulation. Although the sound quality is imperfect, the outstanding performances by the musicians most notably Miles himself more than make up for it.
Greg Lake - King Biscuit Flower Hour Presents: Greg Lake in Concert (1995) [Columbia Music Japan, VQCD-10175] Repost

Greg Lake - King Biscuit Flower Hour Presents: Greg Lake in Concert (1995)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2011 | Columbia Music Japan, VQCD-10175 | ~ 414 or 140 Mb | Scans(png) -> 257 Mb
Progressive Rock, Art Rock

The show captured on King Biscuit Flower Hour (In Concert) (1996) was recorded circa Greg Lake's 1981 self-titled debut, and features Lake (guitar/bass/vocals) leading an impressive backing combo with Gary Moore (guitar), Ted McKenna (drums), Tommy Eyre (keyboards), and Tristian Margetts (bass). The set originated as a King Biscuit Flower Hour broadcast from the Hammersmith Odeon in London on November 5, 1981. During this time, Lake was on an extended hiatus from Emerson, Lake and Palmer (ELP), and issued a pair of solo efforts…

Mitchell And Ruff - Brazilian Trip / Campus Concert (2002)  Music

Posted by Domestos at May 22, 2018
Mitchell And Ruff - Brazilian Trip / Campus Concert (2002)

Mitchell And Ruff - Brazilian Trip / Campus Concert (2002)
XLD Rip | FLAC (tracks+.cue, log) ~ 345.55 Mb + 27.35 Mb (Scans) | 76:12
Brazilian Jazz, Bop | Country: USA | Label: Collectables - COL-CD-7475

Because so few of the recordings by the Mitchell-Ruff Duo have been reissued during the CD era, the reappearance of their recordings on various Collectables releases has been very welcome. Two separate LPs, recorded nearly a decade apart for Epic, make up this two-CD compilation. Brazilian Trip, though recorded in New York City in the summer of 1966, finds the American duo working with a rotating cast of young Brazilian musicians, playing ten sambas written by the visitors, only one of whom, drummer Chico Batera, was a full-time musician.
Rick Wakeman - King Biscuit Flower Hour Presents: Rick Wakeman In Concert (1995)

Rick Wakeman - King Biscuit Flower Hour Presents: Rick Wakeman In Concert (1995)
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 501 Mb | MP3 CBR320 ~ 182 Mb
Full Scans (PNG, 300 dpi) ~ 74 Mb | RAR 5% Recovery
Progressive Rock / Symphonic Rock / Art Rock
King Biscuit Flower Hours Records #70710 88009 2 0

This live performance presented by the King Biscuit Flower Hour is an above average production of Wakeman's best-loved tunes. King Biscuit appropriately keeps the concert full-length, without any splicing, so that the songs are enjoyed exactly as they were during the staging. Wakeman electrifies San Francisco's Winterland Theater with stunning versions of "Lancelot and the Black Night" and "Merlin the Magician," two of this album's finest cuts. Particular attention is given to "The Forest," a track rarely played live from Wakeman, but placed fittingly in the middle of the eight selections here. Recorded in 1975 at the height of progressive rock's glory days, Wakeman's attentiveness and passion can be felt from the opening keyboard surge. His accompanying musicians play a large part as well, with some expert guitar work from Jeffrey Crampton and spectacular vocal execution via Ashley Holt.