Fame was a film directed by Alan Parker, a serious auteur (some would say overly serious, especially in light of the work that came later) who designed the film for posterity, and the same attitude carried over the music. Yes, the production techniques often do sound dated – the over-reliance on state-of-the-art synthesizer ironically now sounds helplessly tied to the year of its creation – but the music by Michael Gore is dynamic, varied, and alive, sung with real passion and vigor, and it still retains its essential spark 23 years after it was a pop culture phenomenon. Sure, it's glitzy and glossy, sounding like show tunes, but that's the tradition of this music, and it was done better than most Broadway tunes and movie soundtracks of the '80s. Years later, this still has the spark and vitality of kids trying to make their big break, no matter the kind of music they're singing, and that's one of the main reasons (along with Gore's fine compositions) Fame retains its power and entertainment value years later.
Chata is a Japanese singer who has performed theme songs for video games and anime series.
Bruce Palmer (acoustic/electric guitars/Fender bass) is best known for his association with the earliest incarnation of the Buffalo Springfield. It was he and Neil Young who trekked from their native Canada in the latter's hearse (named Mort) to Los Angeles in search of Stephen Stills with the hopes of forming a rocking teen combo. His tenure was cut short by deportation which stemmed from two separate marijuana-related convictions in 1967 and 1968, respectively. The Cycle Is Complete (1971) – Palmer's only solo effort – is an eclectic masterwork with stream of consciousness jams that combine folk, jazz, and rock onto a quartet of primarily instrumental sides.