Reissue with the latest DSD remastering. Comes with liner notes. 1. I believe this was Makoto's 3rd album (something like that) and when it came out, I was expecting some more inventive Makoto magic–> but I was surprised to learn / hear that this was standard jazz material and I totally loved it. 2. This was produced before trio jazz stuff came back into fashion (ie prior to Chick's Acoustic Band and around the time of Keith Jarrett's trio… I think Keith had his first live trio album around this time). Anyway, the trio work is great, the song selection is classic, this is a no brainer for anyone who appreciates good / classic standard jazz.
This reissue LP has her final recordings for the label (before moving up to Atlantic).
The emergence of Chris Connor as a singer began when Stan Kenton engaged her as his featured orchestra vocalist in 1953. With her uncanny vocal resemblance to June Christy, she immediately burst onto the national scene. Tall, blonde Chris was becoming one of the select corps of younger girl vocalists, and in the fall of that year she left the bandleader and beganbuilding a reputation as a single on the eastern club circuit, soon signing an exclusive contract with the then-new Bethlehem Records label.
All About Ronnie compilation album by Chris Connor was released in 1996. Contains a single disc with 24 songs.
Two of singer Chris Connor's finest Atlantic albums are reissued in full on this single CD. The laid-back yet coolly emotional jazz singer is heard backed by top-notch rhythm sections (with either Ralph Sharon or Stan Free being the pianist/arranger) and occasional horns (trumpeter Joe Wilder, flutist Sam Most, tenors Al Cohn and Lucky Thompson, flutist Bobby Jaspar and Al Epstein on English horn and bass clarinet) adding some short solos. Connor (then around 30) was in her prime, and her renditions of such songs as "Poor Little Rich Girl," "Lonely Town," "I'm Shooting High," "Moonlight in Vermont," and even "Johnny One Note" are memorable and sometimes haunting.
Reissue with latest 2014 remastering. Comes with liner notes. The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.