Choral And Orchestral Works

Leos Janacek - Chamber Music, Orchestral Works (2004) 5CD Box Set

Leos Janáček - Chamber Music, Orchestral Works (2004) 5CD Box Set
Paul Crossley, Christopher Van Kampen, Kenneth Sillito, Thomas Trotter
Gabrieli String Quartet, London Sinfonietta, Los Angeles Chamber Orchestra
Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly
Charles Mackerras, François Huybrechts, Neville Marriner, David Atherton
Eva Urbanová, Vladimir Bogachov, Marta Benacková, Richard Novák

EAC | FLAC | Image (Cue&Log) ~ 1.48 Gb | Mp3 (CBR320) ~ 837 Mb | Scans ~ 20 Mb
Genre: Classical | Label: Decca | # 475 523-2 DC5 | Time: 06:04:07

To celebrate the 150th anniversary of Janáček’s birth, this Decca Collector Edition brings together most of the composer’s chamber works and solo pieces plus his most popular orchestral works and the magnificent Glagolitic Mass in a superb digital recording with Riccardo Chailly and Wiener Philharmoniker. The recordings of the solo works and chamber pieces feature one of the world’s most distinguished ensembles: the London Sinfonietta and David Atherton. Their recordings were originally released as a 5-LP set in 1981 and many of these performances have not been available for several years; many also make their first international appearance on CD. This set provides the listener with all the essential non-operatic Janáček in one convenient collection.

Witold Lutoslawski - Orchestral Works Vol.3 (1997)  Music

Posted by basa005 at Jan. 18, 2011
Witold Lutoslawski - Orchestral Works Vol.3 (1997)

Witold Lutoslawski - Orchestral Works Vol.3 (1997)
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 255 Mb
Classical | Naxos 8.553423

Witold Lutosfawski started regular study of the piano at the age of six and the violin when he was thirteen. He did not become a concert violinist, but he was a concert pianist. Witold Maliszewski, professor at the Warsaw Conservatory, who deeply influenced the young Lutostawski's musical thought, gave him lessons in composition, after his future pupil had presented him with the Poem for piano, written at the age of fifteen. When he was seventeen he wrote, under his teacher's supervision, his Dance of the Chimera for piano, the first work of his to receive public performance. As with a series of other pieces, written since1922, when Lutostawski was only nine, the two compositions mentioned were destroyed in 1944 during the Warsaw rising. The flames spared, however, the Piano Sonata of 1934 and the two-piano Wariacje na temat Paganiniego (Variations on a Theme of Paganini) of 1941. The post-war years brought other works for piano, Melodie ludowe (Folk Melodies) in 1946 and Bukoliki (Bucolics) in 1952 and some pedagogical pieces. The piano, the role of which in Lutostawski's chamber and orchestral works was often important, only appeared as a solo instrument in the Piano Concerto of 1988, except for the Variations on a Theme of Paganini, a composition for piano and orchestra, after the two-piano Variations, one of the most popular works in the piano duo repertoire and one of the most frequently performed of Lutostawski's compositions.
BBC National Orchestra of Wales, Kriss Russman - Butterworth: Orchestral Works (2016) [Official Digital Download 24/96]

BBC National Orchestra of Wales, Kriss Russman - Butterworth: Orchestral Works (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 75:23 minutes | 1.27 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When George Butterworth joined the army in 1914, his most recent works included the song cycle Six Songs from 'A Shropshire Lad' as well as the Rhapsody 'A Shropshire Lad', which he called 'an orchestral epilogue' to his settings of A. E. Housman's poems. The Rhapsody has since been described as 'one of the greatest of all English orchestral works' and when Butterworth left England to fight in the First World War, he was seen as one of the bright hopes of British music a hope that in August 1916 was extinguished in the trenches at the Somme.

A Conductor's Guide to Selected Baroque Choral-Orchestral Works  eBooks & eLearning

Posted by interes at March 24, 2017
A Conductor's Guide to Selected Baroque Choral-Orchestral Works

A Conductor's Guide to Selected Baroque Choral-Orchestral Works by Jonathan D. Green
English | 2013 | ISBN: 0810886499 | 284 pages | PDF | 1,6 MB
Johann Sebastian Bach - Kantaten zum Osterfestkreis (1993) (4CD) (Helmuth Rilling) {Haenssler}

Johann Sebastian Bach - Kantaten zum Osterfestkreis (1993) (4CD) (Helmuth Rilling)
EAC Rip | FLAC (tracks+.cue, log) | 1362 mb | MP3 CBR 320kbps | RAR | 648 mb
Classical, Choral | Label: Hänssler Classic - 98837

"Johann Sebastian Bach: Kantaten zum Osterfestkreis (Easter Cantatas - Cantates Pour La Fête De Pâques - Bach-Ensemble Helmuth Rilling)" is a 4-disc set with 87 songs by Johann Sebastian Bach was released May 01, 1993 on the Hänssler Classic label.
Estonian Philharmonic Chamber Choir, Heikki Seppanen - Sibelius: Complete Works for Mixed Choir (2015) 2CD

Jean Sibelius: Complete Works for Mixed Choir (2015) 2CD
Estonian Philharmonic Chamber Choir, conducted by Heikki Seppänen

EAC | FLAC | Image (Cue&Log) ~ 397 Mb (incl 5%) | Mp3 (CBR320) ~ 254 Mb (incl 5%) | Scans included
Genre: Classical | Label: Ondine | # ODE 1260-2D | Time: 01:43:47

Year 2015 marks the 150th Anniversary of the birth of Jean Sibelius (1865–1957), often entitled 'Finland’s national composer'. The fourth album on Ondine by the Estonian Philharmonic Chamber Choir is dedicated to the complete works for mixed choir by Jean Sibelius. The award-winning choir, one of the finest of its kind internationally, is conducted here by one of the leading Finnish choir directors, Heikki Seppänen, who has conducted a large number of professional choirs in Finland and abroad. The Estonian Philharmonic Chamber Choir’s releases on Ondine have been a critical success: the first release was given an ‘Editor’s Choice’ by the Gramophone Magazine and ‘Disc of the Year’ by the renowned German weekly Die Zeit.
Beethoven - The Complete Orchestral Works, vol.12: Piano Concerto No.5 'Emperor'; Choral Fantasy (2015)

Ludwig van Beethoven: Piano Concerto No.5 in E flat major 'Emperor', Op.73; Choral Fantasy, Op.80 (2015)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1285 | Time: 00:53:59

Though close to each other in date, the two works on this disc, which are the last in which Beethoven wrote for piano and orchestra together, are in other respects quite dissimilar. The Emperor is a standard piano concerto or so it seems to us, because it was uniquely influential in defining the form for the next 100 years. To its first audiences it must have seemed highly individual, and even idiosyncratic. The Choral Fantasy, on the other hand, appears to us an unorthodox, even unique conception, much freer in form, as befits the title fantasy which Beethoven chose for it. Yet both are entirely characteristic of the composer in their deployment of a structure that served the purposes of the content of the work itself to its greatest advantage. Concluding the Complete Orchestral Works of Beethoven, this vol. 12 finds Thomas Dausgaard, Boris Berezovsky and the Swedish Chamber Orchestra on top form.
Beethoven - The Complete Orchestral Works, vol.7: Piano Concerto No. 4 & Piano Concerto in D, op. 61a (2005)

Ludwig van Beethoven: Piano Concerto no. 4 in G major, op.54; Piano Concerto in D major, op. 61a (2005)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 265 Mb (incl 5%) | Mp3 (CBR320) ~ 195 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1280 | Time: 01:12:12

Starting the second half of our great Beethoven series, Boris Berezovsky returns with the Fourth Piano Concerto and Beethoven's own version of the Violin Concerto arranged with the piano as the solo instrument. Boris's earlier contributions to the series have been very well received indeed, and the Russian virtuoso has more up his sleeve. The works on this seventh volume in this series originates from a particularly fruitful time in Beethoven"s career as a composer, around the same time as his fourth and fifth symphony and the Razumovsky quartets. He continues to expand the formal boundaries for the concerto, and the result is of course some of the most fantastic music ever written.
Beethoven - The Complete Orchestral Works, vol.5: Piano Concerto No 3 & Triple Concerto (2002) [Berezovsky, Dausgaard]

Ludwig van Beethoven: Piano concerto no.3 in C minor, op.37; Triple concerto in C minor, op.56 (2002)
Boris Berezovsky, piano; Urban Svensson, violin; Mats Rondin, cello
Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 278 Mb (incl 5%) | Mp3 (CBR320) ~ 191 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1183 | Time: 01:09:07

The soloists step into the light again for this fifth release in the Simax-series with the complete orchestral music of Beethoven. After the wonderful reception of piano concertos 1 and 2 (PSC 1181) its now time for concerto no.3, with Berezovsky on exceptional form. Plus a stunning rendering of the Triple concerto. Dausgaard leads with a sensitive ear to the poetry and somewhat melancoly expression found in both these concertos, engaging the orchestra in "chamber musical" ensemble with the soloists. But there are massive outbursts as well, in sparkling performance!
Beethoven - The Complete Orchestral Works, vol.3: Piano Concertos Nos 1 & 2; Rondo (2001) [Berezovsky, Dausgaard]

Ludwig van Beethoven: Piano Concertos No. 1 (op.15) & No. 2 (op.19); Rondo in B flat Major, WoO 6 (2001)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1181 | Time: 01:08:19

Volume 3 in the series with the complete orchestral works of Ludwig van Beethoven is ready from the Swedish Chamber Orchestra and its music director since 1997, Thomas Dausgaard. The piano concertos are true gems of the classical canon, as Beethoven was an expert both in the art of writing for the orchestra and himself a master pianist. Russian pianist Boris Beresovsky (b.1969) is such a wizard. At the age of 21 he won the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow. It is a privilege to hear how the combination Berezovsky and Dausgaard/SwCO really hit it of in this music. They are enjoying themselves, surprising each other, challenging and courteous at the same time. The sounding result speaks for itself.