Children's Cello

Andreas Brantelid & Bengt Forsberg - Gabriel Faure: The Music for Cello & Piano (2017)

Andreas Brantelid & Bengt Forsberg - Gabriel Fauré: The Music for Cello & Piano (2017)
EAC | FLAC | Image (Cue&Log) ~ 277 Mb | Mp3 (CBR320) ~ 168 Mb | Artwork included
Genre: Classical | Label: BIS | # BIS-SACD-2220 | Time: 01:10:13

The young cellist Andreas Brantelid, often accompanied and perhaps guided by the much older Bengt Forsberg, has gained notice for sheer virtuoso chops. But in this recital covering all of Gabriel Fauré's music for cello and piano, it's his way with a sheer melody that impresses the most: the two Berceuses (cradle song), the flawless unfolding of the two sonata slow movements from simple opening material (sample that of the elegiac Cello Sonata No. 2 in G minor, Op. 117), the remarkable, 54-second Morceau de Lecture (originally for two cellos, and the only arranged work here). Brantelid certainly delivers a smooth performance of the popular Papillon, Op. 77, and all the music here – some of it well known, but most of it not so much – is a pleasure. Fauré was one of the few composers who had a real knack for writing for the cello and did so without complaining about it. The best is saved for last: the Andante for cello and harmonium is the original version of the opening Romance, Op. 69, and it's really an entirely different work, spooky and inward, with the harmonium contributing a unique wash of sound. The harmonium was an extremely common instrument in the second half of the 19th century, and it's good to hear a work played on the instrument for which it was intended. BIS contributes fine Swedish radio sound to this recommended cello recital.

Steven Isserlis - Haydn, CPE Bach: Cello Concertos (2017)  Music

Posted by shamanicus at Nov. 26, 2017
Steven Isserlis - Haydn, CPE Bach: Cello Concertos (2017)

Steven Isserlis - Haydn, CPE Bach: Cello Concertos (2017)
WEB FLAC (tracks) | Artwork: d.booklet, front, back cover | 372 mb | MP3 CBR 320kbps | RAR | 190 mb
Classical | Label: Hyperion / CDA68162

Over the course of his career, Steven Isserlis has performed the two cello concertos of Franz Joseph Haydn with several orchestras, and recorded them previously with the Chamber Orchestra of Europe on RCA. This 2017 Hyperion release features Isserlis performing Haydn's Cello Concerto No. 1 in C major, H. 7b:1 and the Cello Concerto No. 2 in D major, H. 7b:2 with the Deutsche Kammerphilharmonie Bremen in a lively, all-Classical program that also includes Carl Philipp Emanuel Bach's Cello Concerto No. 3 in A major, H439, and two short filler pieces, Isserlis' arrangement of Geme la tortorella from Wolfgang Amadeus Mozart's La finta giardiniera, and the Adagio from Luigi Boccherini's Cello Concerto in G major, G480.
Steven Isserlis - Haydn, CPE Bach: Cello Concertos (2017) [Official Digital Download 24-96]

Steven Isserlis - Haydn, CPE Bach: Cello Concertos (2017)
FLAC (tracks) 24-bit/96 kHz | Artwork: d.booklet, front cover | RAR | 1.42 Gb
Classical | Label: Hyperion / CDA68162

Over the course of his career, Steven Isserlis has performed the two cello concertos of Franz Joseph Haydn with several orchestras, and recorded them previously with the Chamber Orchestra of Europe on RCA. This 2017 Hyperion release features Isserlis performing Haydn's Cello Concerto No. 1 in C major, H. 7b:1 and the Cello Concerto No. 2 in D major, H. 7b:2 with the Deutsche Kammerphilharmonie Bremen in a lively, all-Classical program that also includes Carl Philipp Emanuel Bach's Cello Concerto No. 3 in A major, H439, and two short filler pieces, Isserlis' arrangement of Geme la tortorella from Wolfgang Amadeus Mozart's La finta giardiniera, and the Adagio from Luigi Boccherini's Cello Concerto in G major, G480.
Elinor Frey - Fiorè: Complete Cello Sonatas & Italian Arias (2017) [Official Digital Download 24/96]

Elinor Frey - Fiorè: Complete Cello Sonatas & Italian Arias (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 74:30 minutes | 1.40 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Late Baroque ascendency of the cello in Northern Italian sonata and vocal music, brilliantly played on original instruments.
Elinor Frey - Fiorè: Complete Cello Sonatas & Italian Arias (2017)

Elinor Frey - Fiorè: Complete Cello Sonatas & Italian Arias
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 74:30 min | 405 MB
Label: Passacaille | Tracks: 17 | Rls.date: 2017

Late Baroque ascendency of the cello in Northern Italian sonata and vocal music, brilliantly played on original instruments.
Daniel Muller-Schott, L'arte del mondo & Werner Erhardt - Cello Reimagined (2017)

Daniel Muller-Schott, L'arte del mondo & Werner Erhardt - Cello Reimagined
Classical | WEB FLAC (tracks) & front cover | 68:33 min | 326 MB
Label: Orfeo | Tracks: 11 | Rls.date: 2017

On his new recording Daniel Müller-Schott demonstrates a verve and lively curiosity in his programme, bringing together three composers to form a triangular relationship that is fascinating to experience. The intertwining and superimposition of successive generations is charming in itself: Johann Sebastian Bachs son, born in 1714, was perhaps the greatest composer of his generation; the essential founding father of the Classical era and creator of significant musical genres, born in 1732; and finally, the child prodigy born in 1756.
Sviatoslav Richter, Mstislav Rostropovich - Beethoven, Brahms, Prokofiev, Grieg: Sonatas for Cello and Piano (2008)

Sviatoslav Richter, Mstislav Rostropovich - Beethoven, Brahms, Prokofiev, Grieg: Sonatas for Cello and Piano (2008)
EAC | APE (image+.cue, log) | Covers Included | 02:22:22 | 641 MB
Genre: Classical | Label: Doremi Records | Catalog: 7931/2

Fans of either cellist Mstislav Rostropovich or pianist Sviatoslav Richter will have to hear the performances on this two-disc Doremi set. It contains the four pieces they performed in Moscow on March 1, 1950 Brahms' Sonata No. 1 and Beethoven's sonatas No. 3 and No. 4, plus the world premiere of Prokofiev's sonata and two of the pieces they played at the Aldeburgh Festival on June 20, 1964 Grieg's sonata as well as another Brahms' Sonata No. 1.
Ronald Fuchs, Chanda VanderHart - Johannes Brahms: Sonatas for cello and piano, Six lieder transcriptions (2008)

Ronald Fuchs, Chanda VanderHart - Johannes Brahms: Sonatas for cello and piano, Six lieder transcriptions (2008)
XLD | FLAC (tracks+.cue, log) | Covers Included | 01:11:56 | 293 MB
Genre: Classical | Label: Brahms Museum | Catalog: 9007970003148

As well as Brahms’ 175th birth­day in 2008 inspired these record­ings in the “Kun­sthaus” in Mürz­zuschlag. Ronald Fuchs and Chanda Van­der­Hart play, in addi­tion to the two cello sonatas, six Brahms lieder tran­scrip­tions in their orig­i­nal keys. The lieder selected have a spe­cial con­nec­tion to both the Stre­icher piano and with Mürz­zuschlag itself. Brahms played severel of them, includ­ing “Wie Melo­dien zieht es mir” with Her­mine Spies, and com­posed both “Sap­phis­che Ode” and “Der Tod, das ist die kühle Nacht” dur­ing his time in Mürzzuschlag.

Christoph Stradner - Bach The Cello-Suites (2017)  Music

Posted by Pisulik at Nov. 16, 2017
Christoph Stradner - Bach The Cello-Suites (2017)

Christoph Stradner - Bach The Cello-Suites (2017)
Classical | MP3 CBR 320 kbps | 02:12:45 | 321 MB
Label: Espressivo Records

In this new Bach interpretation Stradner takes us on an exciting journey full of longings, fears, doubts, but also with pleasure. The listener relives time, sometimes she seems to go backwards.
Boris Abramov & Carmine Miranda - Mozart & Beethoven: Violin & Cello Duets (2017)

Boris Abramov & Carmine Miranda - Mozart & Beethoven: Violin & Cello Duets (2017)
Classical | MP3 CBR 320 kbps | 01:17:32 | 180 MB
Label: Navona

Award winning cellist Carmine Miranda and violinist Boris Abramov’s new Navona release Mozart / Beethoven: Violin and Cello Duets is an intimate gem of delightful chamber music from the Classical Period. Drawn from various duos by Beethoven and Mozart, this album is substantive, and showcases a wide stylistic breadth of late eighteenth century German instrumental music, from the sumptuous levity of the divertimento, to the full brilliance of sonata form. In this recording both performers balance concepts of classical performance, musical research and virtuosic dexterity combined with a high-definition audio engineering in order to create the most realistic sound and definitive version of these works. The pieces in this recording have never been paired together. Their unique styles, and carefully researched interpretations by Miranda and Abramov, create exceptional recordings with equal parts nuance and bravado.