This is another excellent effort by Chico Freeman, who is heard on tenor, flute and bass clarinet. The instrumentation varies on each selection during the LP, which also features trumpeter Wallace Roney, pianist Clyde Criner, bassist Cecil McBee, drummer Billy Hart, and Jack DeJohnette on drums and piano. Other than Thelonious Monk's "Jackie-ing" (Monk had recently passed away), the repertoire is comprised of originals by Freeman, McBee and Criner. Even if none of the songs individually caught on, they help set an exploratory yet fairly accessible mood, as Chico Freeman does his best to move the mainstream of jazz forward a bit.
An interesting if quite diverse set, this album is best remembered for featuring up-and-coming singer Bobby McFerrin on a few selections. McFerrin has his moments, as does tenor saxophonist Chico Freeman and such notable sidemen as altoist Steve Coleman, John Purcell on reeds, either Kenny Werner or Mark Thompson on piano, Freeman's longtime bassist Cecil McBee and drummer Billy Hart, among others. The material (by Freeman, Thompson and Werner) is actually not that significant, and the date on a whole is less memorable than many of Chico Freeman's earlier sets, but it has its enjoyable spots.
Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.
A collection of some of the best numbers played by Brainstorm when the band made its highly successful debut at London's Ronnie Scott s Club! One of the most innovative and engaged small groups in contemporary improvised music. Brainstorm presents 74 electrifying minutes of inspired and wide-ranging music. As Ed Hazel has observed, Chico Freeman's style combines the energy and wide leaps of John Coltrane's later work with a classic conception of form and a strong sense of swing.
A totally excellent bit of funk from Chico Hamilton – working with a great group that more than helps their leader live up to the album's title! The record's a real lost gem – and it's got Chico working in much funkier territory than before, grooving with complicated rhythms, and a heavy sound that features lots of work on organ and guitar. Lowell George (of Little Feat fame) is playing slide guitar in the group, giving the sound a great, muddy propellant – which only gets stronger with the help of Simon Nava and Sam Clayton on congas, plus heavy organ and piano by Stu Garner, Jerry Aiello and Bill Payne. Includes the killer Latin groover "Conquistadores 74", plus "Stu", "Feels Good", "Fancy", "Stacy", Gengis" and "I Can Hear The Grass Grow".
Chico Hamilton Trio Introducing Freddie Gambrell is an album by drummer and bandleader Chico Hamilton released on the World Pacific label. Freddie Gambrell was a little known West Coast pianist playing at San Franciscos Bop City club when, in 1956, Chico Hamilton heard him for the first time. I was so impressed while listening to him play that I felt I must play with this guywhich often happens to a musician when he hears something that he really digs, especially if he is right there when its happeningand so I did, said Hamilton. Gambrells fresh, lively talent was immediately accepted throughout the jazz scene when his playing was heard on his first album, under Chico Hamiltons leadership.
Features 24 bit remastering and comes with a mini-description. Other than two selections put out on a sampler and the soundtrack from the 1958 Newport Jazz Festival, this LP is quite significant for having the first recordings of Eric Dolphy with the Chico Hamilton Quintet. Dolphy's solos (on alto, flute and bass clarinet) are brief, but he already sounded fairly distinctive. The third version of Hamilton's popular Quintet also included the drummer/leader, cellist Nate Gershman, guitarist Dennis Budimir and bassist Wyatt Ruther. On this album, half of the tunes are played by the basic quintet, while the remaining five songs have an added string section. The West Coast jazz chamber music generally holds one's interest, but has been out of print for some time.
Cuban jazz legend Bebo Valdés is in charge of this wonderful soundtrack for Fernando Trueba and Javier Mariscal's animated film about the romance between a singer and a pianist, set in La Havana and New York of the '40s and '50s. In addition to Valdés, the main performers include Freddy Cole, Jimmy Heath, Idania Valdés, Germán Velasco, and Amadito Valdés, in a collection of both originals and jazz and bolero standards arranged by Michael Philip Mossman. Estrella Morente sings the main title song, "Lily."
This set combines two Chico Hamilton LPs from Impulse Records, El Chico and Further Adventure of El Chico, both issued in 1966 separately. The 18 tracks include pleasant arrangements of the standards "The Shadow of Your Smile," "My Romance," "Stella by Starlight," and pop songs of the era “Monday, Monday,” “Daydream,” and “People.” While the drummer’s choice of musicians on these sessions, including Clark Terry, Charlie Mariano, Gabor Szabo, and Jimmy Cheatham is impeccable, it’s the addition of Latin percussionists Willie Bobo and Victor Pantoja that make these recordings stand out.
Features 24 bit remastering and comes with a mini-description. Different is right – as this obscure early 60s side shows Chico Hamilton really opening up, moving past the modern chamber style of the late 50s, into the freer modal rhythms that characterized his incredible work of the 60s! The group's the beginning of that sound too – with Charles Lloyd on tenor and flute, Gabor Szabo on guitar, and Albert Stinson on bass – joined by George Bohannon on trombone, who slides around the grooves to expand the bottom of the album's sound nicely!