Recording live at New York's Blue Note club, Chick Corea unveiled another new group, the challenging Origin acoustic sextet, on this CD, winnowing down some 12 sets into an hour-plus package. With Steve Davis (trombone) and Bob Sheppard and Steve Wilson (flutes and reeds) up front, Corea had a flexible horn choir to write for, and he uses mellow, urbane voicings that recall some of the Herbie Hancock Sextet's early work in the late '60s. The interplay that Avishai Cohen (bass), Adam Cruz (drums), and Corea have with the horns, though, is anything but mellow, and frequently they strike combative sparks against each other. Some of the selections, including "Double Image" (no relation to Joe Zawinul's electric jazz classic) and "Dreamless," have Latin-ish grooves – which are no strangers to Corea's Spanish heart – in spots.
This may not be the ultimate Chick Corea collection, but fans aren't likely to find a better one on video anytime soon. A near-complete portrait of the legendary pianist's non-fusion career is captured on the 10-DVD Rendezvous In New York boxed set, featuring performances from his three-week run of reunion concerts at the New York's Blue Note in 2003 to celebrate his 60th birthday. Those craving more after hearing the Grammy-nominated double-CD released that year under the same name will find the extended material equally satisfying. It also stands commendably on its own as a showcase for some of the most talented musicians from the past 25 years including Bobby McFerrin, Roy Haynes, Gary Burton, Joshua Redman, Christian McBride, Michael Brecker, Steve Gadd and John Patitucci.
The jazz legend Chick Corea and world-renowned Italian guitarist Flavio Cucchi have known each other since the late 1980s. This recording features Corea’s only work written expressly for the guitar, ‘Six Ruminations,’ heard in a new version by Cucchi, as well as Cucchi’s arrangement for two guitars of the magical, haiku-like ’12 Children’s Songs.’ The album continues with Alfonso Borghese’s charming ‘Habanera d’Autunno,’ the famous Egberto Gismonti piece, ‘Agua e vinho,’ Giulio Clementi’s evocation of bygone dance hall days and the folk-infused ‘English Suite’ by John Duarte. Flavio Cucchi has given hundreds of recitals all over the world and participated in radio and TV broadcasts for the BBC, RAI, ZDF, Bayerischer Rundfunk, and Radio Prague, among others. Many composers have dedicated works to him, and he has held masterclasses all over the globe.
2006 seems to be a significant year for jazz's elder states persons. Pianist Andrew Hill has seen a year full of recordings: new music, reissues and previously unreleased material, as well as an outstanding tribute by guitarist Nels Cline. Chick Corea, who's a few years younger than Hill, has released a new record and toured with trios focusing on his back catalog. Super Trio (Stretch, 2006) documented a tour where the pianist was clearly in control of the arrangements; however, Live in Molde is an entirely different affair.
To the Stars is an album by American jazz fusion group the Chick Corea Elektric Band, released on August 24, 2004 by Stretch Records. Jazz musician Chick Corea, a longtime member of the Church of Scientology, was inspired by Scientology founder L. Ron Hubbard's science fiction 1954 novel To the Stars. Hubbard's book tells the story of an interstellar crew which experiences the effects of time dilation due to traveling at near light speed. A few days experienced by the ship's crew could amount to hundreds of years for their friends and family back on Earth.
This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian on two originals, both of which show the obvious influence of Bill Evans. Chick Corea is accompanied by Steve Swallow (on acoustic bass rather than the electric bass he switched to a short time later) and Joe Chambers. The pianist's "Tones for Joan's Bones" is swinging, but not nearly as driving as his works in the decades to follow, while his reworking of the show tune "This Is New" features Joe Farrell and Woody Shaw; both tracks also show the influence of Bill Evans.