Let's Get Lost (1988) is an American documentary film about the turbulent life and career of jazz trumpeter Chet Baker written and directed by Bruce Weber. The title is derived from a song by Jimmy McHugh and Frank Loesser from the 1943 film Happy Go Lucky which Baker recorded for Pacific Records.
West coast cool purveyors Chet Baker (trumpet) and Bud Shank team up to provide the incidental soundtrack to The James Dean Story (1958). Granted, the biopic was presumably made to cash in on the actor's untimely demise, but movie buffs also recognize it as one of director Robert Altman's earliest features. The score was written by Leith Stevens, who had previously worked on Private Hell 36 (1954), The Wild One (1954), and the Oscar-winning sci-fi classic Destination Moon (1950). Those credentials may have gotten Stevens the gig, but his contributions remain somewhat of a double-edged sword.
This collection compiles, for the first time ever on a single set, all existing studio recordings of Chet Baker singing from 1953 (his earliest vocal recordings) until 1962. The music on this CD puts Chet Baker on the scene not just as a brilliant trumpeter, but also as a talented singer. These songs were a revelation at the time and won Baker new fame and a new audience, which was less familiar with jazz than with pop music. The reasons are quite clear: Chet's voice is tender and beautiful, and at the same time his phrasing always swings and surprises. Among the contents of this set are the complete original albums Chet Baker Sings and Chet Baker Sings It Could Happen to You, plus all other existing studio vocal sides within that period.
Pianist and vocalist Eliane Elias pays tribute to legendary jazz trumpeter/vocalist Chet Baker on her 2013 album I Thought About You. Featuring a selection of standards strongly associated with Baker, Elias mixes her native Brazilian bossa nova with swing, straight-ahead jazz, and even a few bluesy flourishes with much aplomb. Joining Elias are guitarists Steve Cardenas and Oscar Castro-Neves, bassist Marc Johnson, drummers Victor Lewis and Rafael Barata, and percussionist Marivaldo Dos Santos. Also adding more than a few moments of deft and thoughtful improvisation is Elias' former husband, trumpeter Randy Brecker.
These four CDs are perfect for anyone seeking a primer of Chet Baker's (trumpet/vocals) sides for Pacific Jazz. The collection boasts over three-and-a-half-hours of primal West Coast cool from one of the subgenre's most luminous scene-makers. Although his tenure with the label lasted a mere five years (1952 – 1957), the impact that the artist made continued its influence far beyond the realm of post-bop jazz, thanks in part to the variety of bands featuring Baker as either a member or leader. ~ AllMusic
This was the perfect setting during his later years. The trumpeter (who also sings on two of the six songs) sounds very relaxed and comfortable while accompanied by the duo of guitarist Doug Raney and bassist Niels Pedersen, taking some consistently lyrical solos on the six standards.
At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan's original quartet broke up in 1953. Oddly enough, a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason, and in one of his first recordings, guitarist John Scofield). However, some of the old magic was still there between the horns, and in addition to two of Mulligan's newer tunes, this set (the first of two volumes) also includes fresh versions of "Line for Lyons" and "My Funny Valentine."