Recorded between 1947 and 1952, the Charlie Parker With Strings albums showcased the legendary bebop saxophonist performing standards and ballads backed by a small classical string ensemble and jazz rhythm section. Although somewhat controversial when first released, the strings sessions are largely considered landmarks for orchestral jazz productions and rank among the best albums in Parker's discography.
Discovering previously unheard music is a consistent hope for serious jazz fans. Finding unreleased music from legends, especially those who departed far too early with their legacies incomplete, is a true joy. Fans, scholars and collectors who want to have a complete overview on Charlie Parker’s work and career can now dig into a new collection of previously unreleased tracks.
Live Bird lives! On February 22, 1953, the great Charlie Parker recorded a concert with Joe Timer’s Orchestra at Club Kavakos in Washington, D.C. Elektra Musician released the live show thirty years later. The eight tracks from that record are reissued here on The Washington Concerts. When it was originally released, Lundvall included an interview he conducted with Parker’s former trumpet player Red Rodney, which is also included here.
This second installment in the Classics Charlie Parker chronology contains quite a number of Bird's best-loved and most respected recordings. The first 12 tracks, recorded in New York for the Dial label in October and November of 1947, are all masterpieces of modern music, with the ballads, especially "Embraceable You," constituting some of Parker's very best recorded work. This is the classic 1947 quintet with Miles Davis, Duke Jordan, Tommy Potter, and Max Roach. Even if his personal life was characteristically chaotic, 1947 was a good year for Charlie Parker's music. It was in November 1947 that this band hit the road to play the El Sino Club on St. Antoine Boulevard in Detroit. Unfortunately, Bird got really snockered and couldn't perform, so the El Sino management canceled the gig. Bird ultimately destroyed his saxophone by throwing it out of a hotel window onto the street below. (A tragic and disturbing image!) Back in New York, the band – now a sextet with the addition of trombonist J.J. Johnson – made six more sides for Dial on December 17, 1947.
Verve gathers together all of the master takes of Charlie Parker's recordings with the swinging band of Afro-Cuban jazz pioneer Machito, along with ten other Latinized numbers that he cut in 1951-1952. Besides illustrating the willingness of producer Norman Granz to experiment and take Parker out of a small-group bebop straitjacket, this CD shows that Bird's improvisational style changed hardly at all in a Latin setting. He continued to run off his patented lightning bop licks over the congas and bongos and they just happened to interlock with the grooves quite snugly, although he did adapt his phrasing of the tunes themselves to suit their rhythmic lines…
Two CD set containing the complete masters by one of the greatest Jazz quintets ever: Curtis Counce, Jack Sheldon, Harold Land, Carl Perkins and Frank Butler. Celebrated American Jazz bassist Curtis Counce was born in Kansas City on 23, 1926 and died prematurely of a heart attack on July 31,1963. He recorded prolifically as a sideman accompanying figures like Clifford Brown, and before creating his famous quintet in 1956, featuring Harold Land, Jack Sheldon, Frank Butler and another ill-fated musician, pianist Carl Perkins. All of the master take recordings by the original Curtis Counce Quintet are included on this release.