Charles Waxer

Charles Lloyd Quartet - Journey Within (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27107}

Charles Lloyd Quartet - Journey Within (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27107}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1967, 2012 Warner Japan / Atlantic / Rhino | WPCR-27107 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. I love JOURNEY WITHIN. This recording will certainly be a love it or hate it thing for most people. My sister hates it, for instance. I love it!! This is Lloyd at his trippy-est, spacey-est, best. The title song takes me there, if you've ever been there, even when I'm straight!! I love the free improvization of it. For those historians of you out there, this allegedly is the first live recording ever released from the original Fillmore Auditorium. This and Lloyd's LOVE-IN album were both recorded there, allegedly, over several nights.
Traditional Archery from Six Continents: The Charles E. Grayson Collection (repost)

Traditional Archery from Six Continents: The Charles E. Grayson Collection By Charles E. Grayson; Mary French; Michael J. O'Brien
English | 2007-10-21 | 280 Pages | ISBN: 0826217516 | PDF | 7,7 MB

Charles Bradley - Changes (2016)  Music

Posted by Designol at Sept. 24, 2017
Charles Bradley - Changes (2016)

Charles Bradley - Changes (2016)
EAC | FLAC | Tracks (Cue&Log) ~ 261 Mb | Scans included | 00:40:25
Retro-Soul, Funk | Label: Dunham, Daptone | # DUN-1005, DAP-041

R.I.P. Mr. Charles Edward Bradley (November 5, 1948 – September 23, 2017)

If Wilson Pickett could cover the Archies and Al Green could interpret the Bee Gees, why shouldn't Charles Bradley put his spin on Black Sabbath? Bradley's deep, soulful reading of Black Sabbath's "Changes" (from 1972's Vol. 4) became something of a viral sensation when it first surfaced on a Record Store Day single in 2013. Now it's become the title track and cornerstone of Bradley's third album, and in this context it doesn't sound like a novelty, but like the striking, deeply felt performance it truly is. As on his two previous albums, Bradley is one of the most authentic-sounding artists in the 2010s retro-soul sweepstakes on Changes. The production by Thomas Brenneck is straightforward but naturalistically effective, and puts Bradley's rough but passionate vocals in engaging relief with the accompanists. (Most of the album features the Menahan Street Band backing Bradley, though the Budos Band does the honors on two cuts.) Most of the songs on Changes are new, but they sound like they could have been prize Atlantic or Stax rarities from the mid-'60s, and the performances honor the sound and the emotional power of classic soul.
Charles Lloyd Quartet - Dream Weaver (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27030}

Charles Lloyd Quartet - Dream Weaver (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27030}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27030 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. Dream Weaver is a fully realized project by a band – a real band – in which each member has a unique part of the whole to contribute.
Charles Lloyd - In The Soviet Union (1967) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27265}

Charles Lloyd - In The Soviet Union (1967) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27265}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 301 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar | 24bit remaster
© 1967, 2013 Warner Japan / Atlantic / Rhino | WPCR-27265 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. The Charles Lloyd Quartet was (along with Cannonball Adderley's band) the most popular group in jazz during the latter half of the 1960s. Lloyd somehow managed this feat without watering down his music or adopting a pop repertoire. A measure of the band's popularity is that Lloyd and his sidemen (pianist Keith Jarrett, bassist Ron McClure and drummer Jack DeJohnette) were able to have a very successful tour of the Soviet Union during a period when jazz was still being discouraged by the communists. This well-received festival appearance has four lengthy performances including an 18-minute version of "Sweet Georgia Bright" and Lloyd (who has always had a soft-toned Coltrane influenced tenor style and a more distinctive voice on flute) is in top form.
Charles Kynard - Charles Kynard (1971) {2017 Japan Mainstream Records Master Collection Series CDSOL-45249}

Charles Kynard - Charles Kynard (1971) {2017 Japan Mainstream Records Master Collection Series CDSOL-45249}
EAC rip (secure mode) | FLAC+CUE+LOG -> 232 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1971, 2017 Time / Mainstream Records / Solid Records Japan | CDSOL-45249
Jazz / Jazz Funk / Soul Jazz / Organ Hammond B-3

A great album from organist Charles Kynard – one of his best that wasn't issued on Prestige! This is one of the funky jazz LPs on Mainstream that really hits a nice groove, with Bob Shad's crisp production dovetailing with Kynard's jazz funk sensibilities just right – not too slick or uptight at all! Kynard's backed here by a nice little LA combo that includes Carol Kaye on bass, King Errison on conga, and Ernie Watts on tenor – all players who relax nicely into the groove, and let Charles hit a sweetly gliding sort of line on the Hammond. The overall groove is similar to his earlier Prestige soul jazz classic Reelin' With The Feelin – but with shorter, tighter tracks, and more emphasis on the funk side, which is what we love to hear! Titles include "She", "Nightwood", "Grits", "El Toro Poo Poo", "Greeze", and "Greens".

Charles-Éloi Vial, "Marie-Louise"  eBooks & eLearning

Posted by TimMa at Sept. 19, 2017
Charles-Éloi Vial, "Marie-Louise"

Charles-Éloi Vial, "Marie-Louise"
Perrin | 2017 | ISBN: 2262064105 | French | EPUB | 448 pages | 1.1 MB

Le véritable portrait de la souveraine la moins connue et la plus détestée de l'histoire du Premier Empire. …

Charles de Gaulle - Tome 3 - 1944-1945 L'heure de vérité (2017)  Comics

Posted by iBooker at Sept. 19, 2017
Charles de Gaulle - Tome 3 - 1944-1945 L'heure de vérité (2017)

Charles de Gaulle - Tome 3 - 1944-1945 L'heure de vérité (2017)
French | CBZ | 59 pages | 86 MB

Charles Sanders Peirce: Pragmatism and Education  eBooks & eLearning

Posted by Jeembo at Sept. 18, 2017
Charles Sanders Peirce: Pragmatism and Education

Charles Sanders Peirce: Pragmatism and Education by David Plowright
English | 2016 | ISBN: 9401773556 | 99 Pages | PDF | 1.8 MB

This book introduces a number of selected ideas from the work of Charles Sanders Peirce, the founder of pragmatism. Peirce, pronounced ‘purse’, was born in America in 1839 and died in 1914.
4790637
Charles Mingus - Revenge! The Legendary Paris Concerts (2CD) (1996)
EAC Rip | FLAC (tracks+.cue, log) ~ 316.92 Mb (CD1) + 362.26 Mb (CD2) | 02:05:06 | Scans included
Bebop, Post-Bop, Avant-Garde Jazz | Country: US | Label: Revenge! Records (32002)

Of all of bassist Charles Mingus' bands, one of the most exciting was the sextet that he took to Europe in 1964. Consisting of the unique Eric Dolphy (on alto, bass clarinet and flute), tenor saxophonist Clifford Jordan, pianist Jaki Byard, drummer Dannie Richmond and trumpeter Johnny Coles, this band really stretched the limits of bebop. Mingus (greatly assisted by Richmond) constantly changed rhythms when the music became too comfortable and was always pushing his sidemen to play above their capabilities.