I guess I don't need to introduce this legendary Indian Mandolin Player called 'U. Shrinivas' who had single handily rose the fame to Mandolin Instrument among the Indian Classical instruments. IMO, Mandolin never would have got so much attention among the Indian music followers without the efforts of this great musician. Sadly, this great musician passed away on 19th September 2014, just at the age of 45 due to the complications arose in his liver transplantation.
Konnakol is the art of performing percussion syllables vocally in South Indian music, the Carnatic music - South Indian classical - performance art of vocal percussion. It is comparable in some respects to bol in Hindustani music, but allows the composition, performance or communication of rhythms. Sri Thetakudi Harihara Subash Chandran is a well-known exponent.
The music of the Raga Bop Trio is an organic blend of jazz, rock, funk, afro-caribbean and Indian classical music. In this music there is the strong influence of western harmony and melody as well as U.S. grooves and Euro-jazz atmospheric feels. From the Indian side, George Brooks brings his expertise in north Indian Hindustani music and Prasanna - being from Chennai, India - is an expert in south Indian Carnatic music. I grew up with the U.S. jazz/groove concept and starting in 2002 I’ve incorporated north and south Indian rhythms into my playing. For me, the distinctive quality of the Raga Bop Trio is that the writing and playing employ a seamless amalgamation of all the individual components.