André Previn's 1975 EMI recording of Carmina Burana sounds better than ever in this new transfer. The analog tape hiss has been tamed, yet there's more "air" between the notes and a greater sense of dynamic and timbral definition. Engineering-wise, the mid-70s were golden years for EMI, and the rhythmic verve, dramatic momentum, and unbuttoned joy that Previn and his brilliant forces project still pack a sonic wallop. The soloists especially are outstanding. Thomas Allen navigates Orff's cruelly high tessitura with no effort, and Sheila Armstrong wraps her warm, flexible pipes around "In trutina mentis dubia" to moving effect. Gerald English gives just the right character to the roasted swan's lament, without overly exaggerating. In short, this performance surpasses Previn's live Vienna Philharmonic remake for DG, and ranks with Shaw (Telarc), Dorati (Decca), Blomstedt (Decca), Ormandy (Sony), Muti (EMI), and Mata (RCA) among the best recordings on disc of Carl Orff's pre-minimalist masterpiece.(Jed Distler)
Carl Orff's Stravinskian rabble-rouser retains its appeal. The pagan high-jinks, driving rhythms, and dips into semi-hysteria can be irresistible given the right performance. And, of course, with its dynamic range, from delicately colored quiet passages to heaven-storming climaxes, it's tailor-made for showing off hi-fi systems. Telarc is known for its outstanding sound, and this one's well up to the house standards.
Jansug Kakhidze was a Georgian conductor, nicknamed "the Georgian Karajan". (…) In 1993, Kakhidze founded the new Tbilisi Symphony Orchestra, and led it until his death in 2002. Noted for his innovative program and devotion to contemporary works from his homeland, Kakhidze gained recognition during his life as a close friend and strong advocate of composer Giya Kancheli, recording his entire cycle of seven symphonies along with many other works…"
"Richard Hickox, on his brilliantly recorded CD, like Previn uses the combined LSO forces, but adds the Southwen Boy's Choir who make sure we know they understand all about sexual abandon – their 'Oh, oh, oh I am bursting all over' is a joy. (…) The vivid orchestral detail revealed by the very bright digital sounds adds an extra dimentsion, with bass drum and percussive transients very telling, while the LPO brass, trumpets and horns especially, playing superbly are brilliantly projected." ~Penguin Guide