Carl Jackson, an accomplished bluegrass instrumentalist and songwriter, was born September 18, 1953, in Louisville, MS. While playing in his father's bluegrass band at the age of 14, he was approached by Jim & Jesse to join their backing group, the Virginia Boys. He accepted and spent most of his teenage years playing banjo for Jim & Jesse and other groups at the Grand Ole Opry…
Heitor Villa-Lobos is without a doubt Brazil's most famous composer and one of the great creative personalities of the twentieth century. His oeuvre is gigantic in its dimensions and perhaps can be compared only to that of Darius Milhaud, who, by the way, was a close friend of his. In any case, Villa-Lobos was the first to introduce the music of Latin America to the world's concert halls, and influences from this music do indeed abound in his oeuvre. cpo is now presenting the first complete recording of his colossal symphonic work complex in a boxed set of seven CDs at a special low price! The SWR Radio Symphony Orchestra under the American star conductor Carl St. Clair has taken on this enormous task, and the result can only be described as a bravura achievement. You can look forward to an orchestral tour de force operating on the highest level!
This brilliant CD series entitled "Didn't It Blow Your Mind, Soul Hits Of The 70s" is a 20-volume anthology of excellent R&B music from the 1970s. Each CD features several artists of the R&B genre, performing songs that helped to shape their generation. This is like having your very own 70s Soul Music party. Great R&B classics don't get any better than this, and Rhino brings it to you in one amazing, top-knotch series.
Larry Carlton and Steve Lukather share the stage once again in this exceptional live recording at the famous Blue Note in Tokyo Japan. This 7 song concert features amazing tunes such as the famous Robert Johnson Crossroads and The Beatles While My Guitar Gently Weeps. The talent level of these two legends when paired together is unparalleled.
While touring between Strikes Twice and its follow-up, Sleepwalk, Larry Carlton recorded Eight Times Up live in Tokyo in early 1982. This was his second live album recorded in Japan in under a decade (following 1979's excellent Mr. 335 Live in Japan), and once again found Carlton and band in fine form playing smooth jazz-fusion. Songs from Strikes Twice and Sleepwalk largely comprise this six-song recording. And though the production and instrumentation definitely sound dated, Carlton's guitar playing is once again textbook smooth jazz, and makes up for that slight sonic nuance.
Larry Carlton's fourth studio album, 1981's Strikes Twice, features the guitarist/vocalist playing a mix of crossover jazz and soft rock. While Carlton had previously sung and played guitar on his 1968 debut and 1973 follow-up, it was not until his 1978 eponymous release that he fully developed his trademark electric guitar sound, mixing jazz, rock, and pop elements. Strike Twice finds Carlton building upon that sound with songs that move between bright instrumental jazz rock ("Springville," "Midnight Parade") and melodic AM pop ("Ain't Nothin' for a Heartache," "Magician")
Between laid-back and listless, between the tastefully restrained and the downright niggardly, the line can be perilously thin. Eric Clapton's new album teeters precariously on the very edge, flirting with, but in the nick of time always just skirting, dullness. It's a tribute to Clapton's charisma and talents that 461 Ocean Boulevard doesn't succumb to the danger Clapton courts by playing unobtrusively with an unimpressive band. Still, it's a close call, too close for comfort.
With the Vietnam War winding down, Joan Baez, who had devoted one side of her last album to her trip to Hanoi, delivered the kind of commercial album A&M Records must have wanted when it signed her three years earlier. But she did it on her own terms, putting together a session band of contemporary jazz veterans like Larry Carlton, Wilton Felder, and Joe Sample, and mixing a wise selection from the work of current singer-songwriters like Jackson Browne and John Prine with pop covers of Stevie Wonder and the Allman Brothers Band, and an unusually high complement of her own writing.