This set includes Leibowitz acclaimed Beethovens symphonies cycle also noted for attempting to follow very precisely Beethoven's metronome marks. Leibowitz's conducting repertoire, which spanned virtually everything, is well represented in this comprehensive 13CD set. Many recordings featured in this set are have been available only as downloads. Glorious, inspired, unique interpretations of classical masterpieces. AfterWW II, Leibowitz became one of the most sought-after conductors in Europe and his well deserved reputation is extensively represented in this set THE ART OF LEIBOWITZ.
When in the first decade of the twentieth century, pioneering Russian creative artists turned to the sun for inspiration, they saw this theme as a symbol of liberation from turn-of-the-century decadence. In The Canticle of the Sun the power of the sun celebrates two liberating forces: specifically, the dedicatee, Mstislav Rostropovich, who shed light in the darkness of the later Soviet years (Gubaidulina has even spoken of the work embodying his ‘sunny personality’) and more generally, the spiritual sources which the composer has explored through her own musical journey within and beyond Soviet Russia. The Canticle of the Sun is a response to a text by St Francis of Assisi, in which he humbly glorifies the creator. Gubaidulina, aware that the music should not be ostentatious or complicated, suggests the mysteries of creation and humanity through solo cello and percussion, and places St Francis’s text in the restrained mouths of the choir as a kind of wondering response. The second work on this disc is a setting of five poems by Marina Tsvetayeva for unaccompanied choir.
On Song for My Daughter, his third record for Blue Note, Jack Wilson "changed with the times," to paraphrase one of the record's songs. Like many of his peers on the label, Wilson pursued a pop direction as the '60s drew to a close, which meant he covered pop hits like "Scarborough Fair/Canticle" and "Stormy," and that he recorded the album with a large band augmented by a string section. It is a testament to Wilson's strengths as a pianist that he doesn't get lost in this heavy-handed setting and manages to contribute some typically graceful moments, including the lovely title song.