Misha Calvin [real surname Nisic] is a Serbian rock guitarist and songwriter. A native of Yugoslavia, Calvin arrived in London sometime in the mid 80s. He worked with ex-Black Sabbath vocalist Tony Martin and Elegy vocalist Ian Parry, producing the album Evolution, released by Vienna Records in 1993.
Calvin, best known for his work with Ray Charles and Aahmad Jamal, returns with his first solo album in seven years. On 'Electric Keys' Calvin adeptly navigates straight ahead, Funk, and Blues, all the while maintaining the quintessential Calvin touch for which he is well-respected. Soul jazz is alive and well. With a sound that updates Wes Montgomery‘s fluid lines and combines that style with a head-nodding groove that will be familiar to fans of boogaloo revivalists such as The New Mastersounds and Soulive, Keys is in fact the real deal. Having cut his teeth as an able sideman to the likes of Ahmad Jamal and Jimmy Smith, Keys’ career releasing albums under his own name only began in earnest relatively recently; though 1997’s Standard Keys was his fifth album, the previous four were released across a span of some sixteen years.
De Wittenberg à Genève, de l'Angleterre aux Amériques, un protestantisme qui n'est jamais tout à fait le même ni tout à fait un autre. De la très grande histoire. …
This date followed Calvin Keys' first, Shawn Neeq, by about two years. Hazy, psychedelic, post-bop is the order of the day here as well, but as most soul-jazz collectors will tell you, there's always a chance for some monster funk on a Black Jazz record so, as predictable as these releases may be on the surface, you never really know until you hear them. In this case, the bomb drops at the beginning of Side Two with "Aunt Lovely." While probably a little too 'out there' for most dance floors, "Aunt Lovely" begins like some of the best funky Grant Green of the era. As the track progresses, though, it gets more than a little hectic – especially during Charles Owens' Pharoah Sanders-esque soprano solo. Kirk Lightsey's overdriven and distorted electric piano only serves to add to this tension later.