Esteemed for almost 60 years as one of the greatest Chopin interpreters, Maurizio Pollini confirms his preeminence with this 2017 release on Deutsche Grammophon, and offers his first all-Chopin disc since 2012. Chopin's late works were composed between 1845 and 1849, and include the Barcarolle in F sharp major, Op. 60, the 3 Mazurkas, Op. 59, the Polonaise-Fantaisie in A flat major, Op. 61, the 2 Nocturnes, Op. 62, the 3 Mazurkas, Op. 63, the 3 Waltzes, Op. 64, and the Mazurka in F minor, Op. Posth. 68, No. 4; they are notable for their harmonic richness and freedom of melodic embellishment, characteristics that made them especially influential among his Romantic contemporaries. Pollini's fluid phrasing and control of expression and dynamics have always given his performances sophistication and a feeling of balance, though these are engaging renditions that are far from cerebral or clinical, claims that critics have sometimes laid at Pollini's door. Yet listeners can hear for themselves how polished and deeply felt these performances are, and appreciate the artistic wholeness of Pollini's conceptions, from the elegance of the "Minute" Waltz to the sublime melancholy of the posthumous Mazurka in F minor. Highly recommended for fans of great piano music.
"Arrau's Chopin – now available in a six-CD box (Philips 432 303-2) as part of Philips's Arrau Edition – is as far from moonstruck "sentimentality" as any Chopin ever was. But no performance of the Preludes is more sentimental, in Schiller's sense, than the version Arrau recorded for Philips in 1973. Its premise – that the cycle is a grand tragedy, the darkest thing Chopin wrote – is unmistakable. Even the prefatory C-major Prelude heaves with orgasmic rubatos – more weight, it seems, than the music can possibly bear. And yet, as Arrau packs each small berth with a world of feeling, the weight grips and holds. At times, the sheer density of emotion can seem suffocatingly intense. The Prelude No. 22, a Stygian descent, is surely Hades; the plunging scales of No. 24 rip the thread of life."
Following his successful 2012 release of the Tchaikovsky Piano Concerto No. 1 with Valery Gergiev and the Mariinsky Orchestra, Russian pianist Daniil Trifonov tries on the more intimate role of recitalist for this live Decca album of solo piano pieces by Frédéric Chopin. Trifonov is a powerhouse in the Lisztian mold, and his incredible technique seems better suited to fast, flashy fingerwork than to more subdued music. Certain pieces, such as the Rondo in F major, Op. 5, "À la Mazur," the Étude in F major, Op. 10/8, and the Grande Valse Brillante, Op. 18, allow feats of prestidigitation, and there's no denying that he can perform with dazzling virtuosity.
A classic collection of 11 CDs that compiles every recording that the late Arthur Rubinstein released on the RCA label from 1946-1967! Many aficionados consider these definitive performances of Chopin repertoire, produced by the legendary Grammy award winner Max Wilcox and presented in both monaural and stereo recordings.