Charles Lloyd Waves

Charles Lloyd - Of Course, Of Course (1966) {2006 Mosaic Singles}  Music

Posted by TestTickles at April 18, 2018
Charles Lloyd - Of Course, Of Course (1966) {2006 Mosaic Singles}

Charles Lloyd - Of Course, Of Course (1966) {2006 Mosaic Singles}
EAC Rip | FLAC with CUE and log | scans | 308 mb
MP3 CBR 320kbps | RAR | 127 mb
Genre: jazz

Of Course, Of Course is the 1966 album by The Charles Lloyd Quartet. This is a remaster, released in 2006 by Mosaic within their Mosaic Singles label and features three songs not on the original LP.
Charles Lloyd - Forest Flower: Charles Lloyd At Monterey (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27053}

Charles Lloyd - Forest Flower: Charles Lloyd At Monterey (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27053}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 262 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27053 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. When Charles Lloyd brought his new band to Monterey in 1966, a band that included Keith Jarrett on piano, Jack DeJohnette on drums, and the inimitable – though young – Cecil McBee on bass, no one knew what to expect. But they all left floored and this LP is the document of that set. It is difficult to believe that, with players so young (and having been together under a year), Lloyd was able to muster a progressive jazz that was so far-reaching and so undeniably sophisticated, yet so rich and accessible. For starters, the opening two title tracks, which form a kind of suite (one is "Forest Flower-Sunrise," the other "Sunset"), showcased the already fully developed imagination of Jarrett as a pianist.
Charles Lloyd - Soundtrack (1968) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27158}

Charles Lloyd - Soundtrack (1968) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27158}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 187 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar | 24bit remaster
© 1968, 2012 Warner Japan / Atlantic / Rhino | WPCR-27158 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Late in 1967, bassist Cecil McBee left Charles Lloyd's band and was replaced by Ron McClure. The jazz critics and public alike all held their breaths, since Lloyd's band had taken the entire world by storm on the festival circuit; playing Town Hall would surely be an acid test not only of McClure's ability to fill such a big space, but the band's as well – to see if the fire would continue to burn as it had previously. They needn't have worried. The gig, which is presented here as Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy.
The Charles Lloyd Quartet - Love-In (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27029}

The Charles Lloyd Quartet - Love-In (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27029}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1967, 2012 Warner Japan / Atlantic / Rhino | WPCR-27029 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Issued in 1966, Love-In was the follow-up to the amazing Dream Weaver, the debut of the Charles Lloyd Quartet. Love-In was recorded after the 1966 summer blowout and showed a temporary personnel change: Cecil McBee had left the group and was replaced by Ron McClure. McClure didn't possess the aggressiveness of McBee, but he more than compensated with his knowledge of the modal techniques used by Coltrane and Coleman in their bands, and possessed an even more intricate lyricism to make up for his more demure physicality. Of the seven selections here, four are by Lloyd, two by pianist Keith Jarrett, and one by Lennon/McCartney ("Here, There and Everywhere").
Charles Lloyd - Charles Lloyd In Europe (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27207}

Charles Lloyd - Charles Lloyd In Europe (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27207}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar | 24bit remaster
© 1966, 2013 Warner Japan / Atlantic / Rhino | WPCR-27207 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Before his great quartet split at the end of 1968, Charles Lloyd took this band literally to the ends of the earth. As a quartet, they had grown immensely from that first astonishing spark when they toured the summer festivals in 1966. Here they are a seasoned unit, full of nuance, elegance, and many surprises, while having moved their entire musical center over to the pursuit of Lloyd's obsession – incorporating the music of the East into Western jazz. This show in Norway, which featured the original band of Lloyd on flute and saxes, Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums and percussion, took the idiom begun by John Coltrane and Yusef Lateef and moved it into places even they hadn't imagined.
Charles Lloyd Quartet - Journey Within (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27107}

Charles Lloyd Quartet - Journey Within (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27107}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1967, 2012 Warner Japan / Atlantic / Rhino | WPCR-27107 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. I love JOURNEY WITHIN. This recording will certainly be a love it or hate it thing for most people. My sister hates it, for instance. I love it!! This is Lloyd at his trippy-est, spacey-est, best. The title song takes me there, if you've ever been there, even when I'm straight!! I love the free improvization of it. For those historians of you out there, this allegedly is the first live recording ever released from the original Fillmore Auditorium. This and Lloyd's LOVE-IN album were both recorded there, allegedly, over several nights.
Charles Lloyd Quartet - Dream Weaver (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27030}

Charles Lloyd Quartet - Dream Weaver (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27030}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27030 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. Dream Weaver is a fully realized project by a band – a real band – in which each member has a unique part of the whole to contribute.
Charles Lloyd - In The Soviet Union (1967) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27265}

Charles Lloyd - In The Soviet Union (1967) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27265}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 301 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar | 24bit remaster
© 1967, 2013 Warner Japan / Atlantic / Rhino | WPCR-27265 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. The Charles Lloyd Quartet was (along with Cannonball Adderley's band) the most popular group in jazz during the latter half of the 1960s. Lloyd somehow managed this feat without watering down his music or adopting a pop repertoire. A measure of the band's popularity is that Lloyd and his sidemen (pianist Keith Jarrett, bassist Ron McClure and drummer Jack DeJohnette) were able to have a very successful tour of the Soviet Union during a period when jazz was still being discouraged by the communists. This well-received festival appearance has four lengthy performances including an 18-minute version of "Sweet Georgia Bright" and Lloyd (who has always had a soft-toned Coltrane influenced tenor style and a more distinctive voice on flute) is in top form.

Charles Lloyd New Quartet - Passin' Thru (2017)  Music

Posted by SERTiL at July 24, 2017
Charles Lloyd New Quartet - Passin' Thru (2017)

Charles Lloyd New Quartet - Passin' Thru
EAC Rip | FLAC (tracks)+cue, log, m3u, artwork | 74:47 min | 572 MB
Label: Blue Note ‎– 00602557649888 | Tracks: 07 | Rls.date: 2017
Jazz

Saxophonist, flutist, composer, and jazz mystic Charles Lloyd's latest Blue Note offering Passin’ Thru is a passionate live recording that marks the 10th anniversary of his acclaimed and enduring New Quartet featuring pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland, a simpatico unit that teems with intuition, contemplation and playfulness. The album is a dynamic seven-song collection of Lloyd compositions old and new.
Charles Lloyd New Quartet - Passin' Thru (2017) [Official Digital Download 24/88]

Charles Lloyd New Quartet - Passin' Thru (2017)
FLAC (tracks) 24-bit/88,2 kHz | Time - 74:50 minutes | 1,5 GB
Studio Master, Official Digital Download | Artwork: Front cover

Though the Charles Lloyd New Quartet has been together for a decade, they haven't recorded as a group since 2011's Athens Concert, when the saxophonist was still signed to ECM. Bassist Reuben Rogers and drummer Eric Harland were part of the Marvels' quintet for I Long to See You in 2016, and Lloyd most recently recorded with pianist Jason Moran on the duet offering Hagar's Song (also issued by ECM) in 2013. But not recording together doesn't mean the same thing as not playing, as amply evidenced here.