This mid-'90s DCC Jazz edition of the John Coltrane (tenor sax)/Paul Quinichette (tenor sax) title Cattin' with Coltrane and Quinichette (1959) contains the same excellent remastering and bonus tracks as its standard silver pressing - without the superfluous expense of a 24-karat gold disc. Audiophile pressing or naught, what remains as the centerpiece are the selections that the co-leads cut during a mid-May 1957 session with Mal Waldron (piano), plus a rhythm section consisting of Julian Euell (bass) and Ed Thigpen (drums). Waldron - who penned all the album's originals - proves why he is one of the best composer/arrangers for Coltrane…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Oh Baby is right – as the album's one of the best John Patton albums for Blue Note – a perfect mix of funky organ and burning hardbop! The tracks hare are all originals penned for the album – mostly by Patton, but also by other group members – the kind of fresh grooves that made John's organ work for Blue Note really stand out from the rest of the 60s Hammond generation – very creative stuff, with occasional modern touches, and a rhythmic conception that's not only unusual, but which also really lets the soloists stretch out on their grooves! Players include Harold Vick on tenor, Blue Mitchell on trumpet, Ben Dixon on drums, and Grant Green on guitar – and the album's about as sharp as you can get for a Blue Note organ session. Titles include "Fat Judy", "Each Time", "One To Twelve", and "Night Flight".
Decca's five-CD set Ultimate Beethoven is a respectable beginner's introduction to the music of Ludwig van Beethoven because it presents his greatest masterworks in complete performances by major artists. Where some other collections present only short, thematic excerpts or single movements taken from larger works, obliging the listener to put in additional effort to hear the whole compositions, this set leaves nothing incomplete. Central to Beethoven's output are his symphonies, and the Symphony No. 5 in C minor; the Symphony No. 6 in F major, "Pastoral"; and the Symphony No. 9 in D minor, "Choral" have long been regarded as essential works.
Five discs - five conductors - four orchestras - nine composers - 28 works: Decca's collection Ultimate Baroque is as one might imagine a mixed bag. The best of the set is I Musici's sweet and fresh 1996 recording of Vivaldi's Four Seasons, with Mariana Sirbu as the lighter-than-air and younger-than-springtime soloist and Neville Marriner and the Academy of St. Martin-in-the-Fields' stately yet sprightly 1971 recording of Bach's four Suites for orchestra, and Raymond Leppard and the English Chamber Orchestra's robust and rambunctious 1970 and 1972 recordings of Handel's Water Music suites and Music for the Royal Fireworks.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than usual for a jazz vocal date, and lots of room for jazz soloists that include Art Farmer on trumpet, Gigi Gryce on alto, and Hank Jones on piano.