Ccd Soft

Donald Harrison - Spirits Of Congo Square (2000) {Candid CCD 79759 rec 1996}

Donald Harrison - Spirits Of Congo Square (2000) {Candid CCD 79759 rec 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 384 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1996, 2000 Candid | CCD 79759
Jazz / Post Bop / New Orleans Legacy Ensemble / Saxophone

Altoist Donald Harrison's disc utilizes New Orleans parade rhythms on all of the selections, even while most of the solos (until the final three numbers) are more hard bop than New Orleans jazz. John O'Neal verbally pays tribute to the rhythms on the opening "And How That Rhythm." The other selections include an augmented bop blues ("Two Way Pocky Way"), the tricky "Don't Drink the Water," Thelonious Monk's "Bye-Ya," a pair of Freddie Hubbard tunes well worth reviving ("Crisis" and "Bob's Place"), Sonny Rollins' "Oleo," and the catchy "Spirits of Congo Square."

Howard Alden - Take Your Pick (1997) {Concord Jazz CCD-4743-2}  Music

Posted by ruskaval at March 19, 2018
Howard Alden - Take Your Pick (1997) {Concord Jazz CCD-4743-2}

Howard Alden - Take Your Pick (1997) {Concord Jazz CCD-4743-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 355 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1997 Concord Jazz | CCD-4743-2
Jazz / Mainstream Jazz / Guitar

Although best-known for his work in mainstream swing settings, guitarist Howard Alden has long been interested in later periods of jazz. On this superior outing, he doubles on seven-string acoustic and electric guitars (which allow him to add basslines). Lew Tabackin is on four of the ten numbers (three on tenor, one on flute) and pianist Renee Rosnes appears on six songs (including a duet with Alden on "Warm Valley"), while bassist Michael Moore and drummer Bill Goodwin are on seven. Alden takes "My Funny Valentine" and "After All" as unaccompanied solos but it is his meetings with Tabackin, particularly on exciting versions of two complex Herbie Nichols songs ("House Party Starting" and "The Gig") that are most notable. Recommended.

Ray Crawford - Smooth Groove (1961) {Candid CCD 79028 rel 1988}  Music

Posted by ruskaval at March 5, 2018
Ray Crawford - Smooth Groove (1961) {Candid CCD 79028 rel 1988}

Ray Crawford - Smooth Groove (1961) {Candid CCD 79028 rel 1988}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (jpg) -> 82 Mb | 5% repair rar
© 1961, 1988 Candid / Phonoco / Black Lion | CCD 79028
Jazz / Hard Bop / Soul Jazz / Guitar

Guitarist Ray Crawford, best known for his associations with pianist Ahmad Jamal and organist Jimmy Smith, only led one session in his early years. Because the Candid label soon went bankrupt, the set went unreleased altogether until this 1988 CD. Comprised of five Crawford originals, the session finds the guitarist playing fairly advanced hard bop with trumpeter Johnny Coles, baritonist Cecil Payne (in top form), pianist Junior Mance, bassist Ben Tucker, and drummer Frankie Dunlop. Everyone sounds fine, making one regret that this set fell between the cracks for so many years.
The Curtis Counce Group - Sonority (1958) {Contemporary CCD-7655-2 rel 1989}

The Curtis Counce Group - Sonority (1958) {Contemporary CCD-7655-2 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 289 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1956-58, 1989 Contemporary Records / Fantasy | CCD-7655-2
Jazz / Hard Bop / West Coast Jazz / Bass

This CD, which adds "Drum Conversation" (a Frank Butler feature) to the earlier LP, contains material taken from bassist Curtis Counce's Contemporary sessions which resulted in three other albums but these particular performances were not released until 1989. Half of the program features Counce's 1956 quintet (which includes trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins and drummer Frank Butler) while the remainding selections are from 1958 when the group had Gerald Wilson on trumpet and pianist Elmo Hope (who contributed three originals). "Sonor" and "Landslide" are heard in alternate versions and "Woody'n You" has also been since reissued as a "bonus" cut on the CD You Get More Bounce with Curtis Counce. The playing is quite rewarding, and all four of the Counce reissues are easily recommended to hard bop collectors.

Kenny Burrell - Lotus Blossom (1995) {Concord Jazz CCD-4668}  Music

Posted by ruskaval at Nov. 18, 2017
Kenny Burrell - Lotus Blossom (1995) {Concord Jazz CCD-4668}

Kenny Burrell - Lotus Blossom (1995) {Concord Jazz CCD-4668}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 261 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1995 Concord Jazz | CCD-4668
Jazz / Bop / Hard Bop / Guitar

Strange as it seems, the main criticism about this CD and about Kenny Burrell's playing during the past couple decades is that he is often overly tasteful. On this set (which has six unaccompanied guitar solos, four duets with bassist Ray Drummond, and three trio numbers with Drummond and drummer Yoron Israel), Burrell is so loving of the melodies that he adds very little of himself other than his beautiful tone. Although the tunes are superior, none of these versions are definitive and the mellow results rarely rise above the level of background music.
The Dave Brubeck Quartet - Blue Rondo (1986) {Concord Jazz CCD-4317}

The Dave Brubeck Quartet - Blue Rondo (1986) {Concord Jazz CCD-4317}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 237 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar
© 1986-87 Concord Jazz | CCD-4317
Jazz / Cool / West Coast Jazz / Piano

The 1987 edition of the Brubeck Quartet featured pianist Brubeck, his son Chris on electric bass and bass trombone, clarinetist Bill Smith and drummer Randy Jones. In addition to remakes of "Blue Rondo à la Turk," "Strange Meadowlark" and "Swing Bells," the leader contributed six new originals including "I See, Satie" and a tribute to Dizzy Gillespie and Stan Getz called "Dizzy's Dream." Bill Smith, who uses electronics with taste on his clarinet during a few songs, has long been a major asset to the later Brubeck Quartets. This is one of their better Concord CDs.
Sonny Simmons - Burning Spirits (1970) {Contemporary CCD-7625/26-2 rel 2003}

Sonny Simmons - Burning Spirits (1970) {Contemporary CCD-7625/26-2 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 514 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 1970, 2003 Contemporary Records / Fantasy | CCD-7625/26-2
Jazz / Avant-Garde Jazz / Saxophone

When Lester Koenig produced Burning Spirits for Contemporary in 1970, jazz was moving in many different directions. Commercially, jazz had lost a lot of ground to rock and R&B, but creatively, it was incredibly healthy and offered a wide variety of options – everything from fusion, soul-jazz, and funky organ combos to bossa nova, Afro-Cuban jazz, modal post-bop, cool jazz, and Dixieland revivalists. Sonny Simmons represented free jazz, which was considered jazz's lunatic fringe (certainly in bop circles) but was exciting and invigorating if you understood what was going on.
Richard & Linda Thompson - Sunnyvista (1979) {Chrysalis CCD 1247}

Richard & Linda Thompson - Sunnyvista (1979) {Chrysalis CCD 1247}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 1979 Chrysalis Records | CCD 1247
Rock / Folk Rock / British Folk / British Folk Rock

1978's First Light marked Richard & Linda Thompson's first time in a recording studio after three years away from music, and it suggested they were still getting warmed up as performers; a year later, Sunnyvista found them in much stronger form and a significantly more upbeat frame of mind. Sunnyvista is the wittiest and most joyous album Richard & Linda made together; while several of Richard Thompson's trademark meditations on romance at it's least successful are on hand, "Why Do You Turn Your Back" manages to generate an unusually soulful groove, "Lonely Hearts" captures the melancholy country feel that First Light never quite caught, and "Traces of My Love" finds a winning warmth in its sadness.

Booker Ervin - That's It! (1961) {Candid CCD 79014 rel 1989}  Music

Posted by ruskaval at June 30, 2017
Booker Ervin - That's It! (1961) {Candid CCD 79014 rel 1989}

Booker Ervin - That's It! (1961) {Candid CCD 79014 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 288 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 300 dpi (png) -> 18 Mb | 5% repair rar
© 1961, 1989 Candid | CCD 79014
Jazz / Hard Bop / Post Bop / Saxophone

Booker Ervin, who always had a very unique sound on the tenor, is heard in prime form on his quartet set with pianist Horace Parlan, bassist George Tucker and drummer Al Harewood. In virtually all cases, the jazz and blues musicians who recorded for Candid in 1960-61 (during its original brief existence) were inspired and played more creatively than they did for other labels. That fact is true for Ervin, even if he never made an indifferent record. In addition to "Poinciana" and "Speak Low," Ervin's quartet (which was a regular if short-lived group) performs four of the leader's originals; best known is "Booker's Blues."

The Bob Brookmeyer Quartet - Oslo (1986) {Concord Jazz CCD-4312}  Music

Posted by ruskaval at April 4, 2017
The Bob Brookmeyer Quartet - Oslo (1986) {Concord Jazz CCD-4312}

The Bob Brookmeyer Quartet - Oslo (1986) {Concord Jazz CCD-4312}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 1986 Concord Jazz | CCD-4312
Jazz / Post Bop / Cool / Modern Creative / West Coast Jazz / Trombone

Bob Brookmeyer has been so busy as a writer since the mid-'60s that his valve trombone playing has been somewhat underrecorded. This quartet set with pianist Alan Broadbent (who also plays a bit of synthesizer), bassist Eric Von Essen and drummer Michael Stephans) finds Brookmeyer in top form on four standards and a quartet of his originals (including "Later Blues," "Tootsie Samba" and "Who Could Care"). His valve trombone playing had grown and evolved through the years and, although he still had the cool tone, Brookmeyer's solos are often quite complex while not completely abandoning chordal improvisation. This Concord release is well worth picking up.