Cantate Domino, recorded by legendary sound engineer Bertil Alving in 1976, is widely regarded as one of the greatest audiophile masterpieces ever recorded. Opening with Enrico Bossi's "Cantate Domino" for choir, organ, trumpets and trombones, the choral album includes a number of Swedish folk songs as well as pieces by Handel, Otto Olsson, and others. The famous reference record is now made even better with this new hi-definition release.
The anonymous Mass Cantate Domino for six voices (#1-4) is recorded in an incomplete set of part-books of about 1550, traditionally linked with Dunkeld Cathedral, but more likely originating in the collegiate chapel of Lincluden, Dumfriesshire. Much has had to be done to complete the music: the bass part is missing throughout and three other voices are more or less fragmentary towards the end. The style of the music is 'British decorative' of the earlier sixteenth century with its characteristic mixture of florid and imitative counterpoint. On closer examination, however, the work may be of Scottish origin: the music is directly related to the five-part Mass Fera pessima by Robert Carver, finest Scottish composer of sacred music in the early sixteenth century. I suggest that the present Mass is a reworking of about 1525 for six voices, possibly by Carver himself, of the earlier five-part composition: much thematic material is common to both works, though the six-part shows a more assured technical command. It is a cyclic Mass in the established tradition: each movement opens with the same head-motif and each is based on the same cantus firmus - a plainsong melody, as yet unidentified. Also, traditionally, the music has been arranged to alternate full and solo sections. It is an impressive work, and if by Carver - it is certainly very good Carver.
The composers known collectively as the Fiamminghi made their mark in Europe in general and in Italy and in France in particular during the 15th century. Their talent and skill gained them the most important positions in the great musical establishments of the time. This collection is devoted to the leading composers of the 15th century, from those of the first generation (Guillaume Dufay, Gilles Binchois, Arnold de Lantins and Johannes Brassart) through Johannes Ockeghem, the great master of polyphonic technique, to Josquin Desprez and Pierre de La Rue, two musicians taught by Ockeghem who laid the foundations of the Ars Perfecta during the Renaissance. Also included is Jacob Obrecht, the only composer of this school whose career was based essentially in his native Flanders. Every genre of both sacred as well as secular music of the time is represented here.
Out of print and hard to get 2009 UK Domino label 14CD box set comprising singlular and prominent English exp- and artrock musician and radical political singer/singwriters 9 studio albums and including the 5-disc EP's box illuminating various periods in Wyatt's long solo career - singles, odd B-sides, live cuts, alternate versions, and remixes. It begins with "Rock Bottom" (1974) which was made after Wyatt had been permanently confined to a wheelchair following a fall from a high window the previous year. Following "Ruth Is Stranger Than Richard" (1975), Wyatt took an extended break, returning reinvigorated in 1980 with a series of excellent singles on the Rough Trade label, with some B-sides generously given over to other artists. All are collected together on "Nothing Can Stop Us" (1982).
Domino returns from the Civil War to find his ranch in ruins and his father murdered. Five men were responsible and four were identified. One by one Domino outdraws the four that were known, all being outlaws. There is only one left now. Domino does not know his identity but that man probably knows of Domino and his mission.
Discover how Fats Domino's brand of New Orleans rhythm and blues became rock 'n' roll. As popular in the 1950s as Elvis Presley, Domino suffered degradations in the pre-Civil Rights South and aided integration through his influential music.