Cantate Domino

Sistine Chapel Choir & Massimo Palombella - Cantate Domino ~ La Cappella Sistina e la Musica del Papi (2015)

Sistine Chapel Choir & Massimo Palombella - Cantate Domino ~ La Cappella Sistina e la Musica del Papi (2015)
Classical, Renaissance | MP3 CBR 320 kbps | 00:58:55 | 135 MB
Label: Deutsche Grammophon

Introducing, by kind permission of the Vatican, the first studio album ever to be recorded in the Sistine Chapel. “Cantate Domino” opens the door to some of the world’s most beautiful choral music, as well as into one of the most treasured sacred locations on earth. The album features the Chapel’s resident choir – one of the longest-established choirs anywhere in the world.
Oscar's Motet Choir - Cantate Domino (1976/2005) [Official Digital Download 24bit/88,2kHz] RE-UP

Oscar's Motet Choir - Cantate Domino (1976/2005)
- Alf Linder, Marianne Mellnas, Oscar's Motet Choir, Torsten Nilsson -

FLAC (tracks) 24 bit/88,2 kHz | Time - 45:56 minutes | 983 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Cantate Domino, recorded by legendary sound engineer Bertil Alving in 1976, is widely regarded as one of the greatest audiophile masterpieces ever recorded. Opening with Enrico Bossi's "Cantate Domino" for choir, organ, trumpets and trombones, the choral album includes a number of Swedish folk songs as well as pieces by Handel, Otto Olsson, and others. The famous reference record is now made even better with this new hi-definition release.
Cappella Nova, Alan Tavener - Sacred Music for Mary Queen of Scots - Robert CARVER. Mass Cantate Domino [vol. 4]

Cappella Nova, Alan Tavener - Sacred Music for Mary Queen of Scots - Robert CARVER. Mass Cantate Domino [vol. 4]
EAC FLAC cue+scans (230 MB) | NO LOG | ogg.160+scans (70 MB)
ASV Gaudeamus 136 (1993) | Renaissance

The anonymous Mass Cantate Domino for six voices (#1-4) is recorded in an incomplete set of part-books of about 1550, traditionally linked with Dunkeld Cathedral, but more likely originating in the collegiate chapel of Lincluden, Dumfriesshire. Much has had to be done to complete the music: the bass part is missing throughout and three other voices are more or less fragmentary towards the end. The style of the music is 'British decorative' of the earlier sixteenth century with its characteristic mixture of florid and imitative counterpoint. On closer examination, however, the work may be of Scottish origin: the music is directly related to the five-part Mass Fera pessima by Robert Carver, finest Scottish composer of sacred music in the early sixteenth century. I suggest that the present Mass is a reworking of about 1525 for six voices, possibly by Carver himself, of the earlier five-part composition: much thematic material is common to both works, though the six-part shows a more assured technical command. It is a cyclic Mass in the established tradition: each movement opens with the same head-motif and each is based on the same cantus firmus - a plainsong melody, as yet unidentified. Also, traditionally, the music has been arranged to alternate full and solo sections. It is an impressive work, and if by Carver - it is certainly very good Carver.
Coro de Monjas Benedictinas del Real Monasterio de San Pelayo - Cantate Domino, Alleluia

Coro de Monjas Benedictinas del Real Monasterio de San Pelayo - Cantate Domino, Alleluia
EAC FLAC (280 MB) | NO LOG | Embedded CUE | Scans (22 MB) | OGG·160 (70 MB)
rtve Música 65076 (1995) | canto gregoriano
Carolyn Sampson, Ex Cathedra, Jeffrey Skidmore - A French Baroque Diva: Arias for Marie Fel (2014)

A French Baroque Diva: Arias for Marie Fel
by Lacoste, Lalande, Rameau, Rousseau, Fiocco & Mondonville
Carolyn Sampson (soprano), Ex Cathedra, Jeffrey Skidmore (conductor)

EAC | FLAC | Image (Cue&Log) ~ 370 Mb | Mp3 (CBR320) ~ 172 Mb | Artwork included
Genre: Classical, Vocal | Label: Hyperion | # CDA68035 | Time: 01:12:55

GRAMOPHONE AWARD 2015 WINNER (RECITAL CATEGORY). A welcome return of Carolyn Sampson and Ex Cathedra to Hyperion, performing the rich, fulsome music of the French Baroque. Their recording of love songs from Rameau’s operas (Hyperion CDA67447) was hugely acclaimed for Sampson’s stylish, fluid, seductive performances, and ten years later her artistry is even more dazzling. This album is of particular interest as rather than concentrating on one composer it showcases the works written for the premiere soprano of the day, Marie Fel. Voltaire called her his ‘adorable nightingale’. For d’Aquin, she was an enchanted being. Marie Fel was the soprano who held an entire generation spellbound at the Paris Opéra and at Louis XV’s court during one of the most glorious periods of French music. With a voice described as ‘pure, charming, silvery’ (La Borde), ‘touching and sublime’ (Grimm) and ‘always lovely, always seductive’ (d’Aquin), she inspired some of Jean-Philippe Rameau’s finest music and introduced a whole new level of virtuosity and expression into the French singing tradition. Her long, triumphant career is traced through this fascinating recording.
Anima Eterna Brugge & Jos van Immerseel - Orff: Carmina Burana (Cantiones profanae) (2014) [Official Digital Download 24/96]

Anima Eterna Brugge & Jos van Immerseel - Orff: Carmina Burana (Cantiones profanae) (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 63:26 minutes | 1.13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Often described as ‘music for amateurs’, sometimes used (or misused) towards purely commercial ends, Orff’s Carmina Burana was clearly ready for a new approach, a sort of revivifying, thorough rethinking. This has now been done, thanks to Jos van Immerseel and the absolutely exceptional musical team that he assembled.
The Fiamminghi - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}

The Fiamminghi - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.67 Gb | MP3 @320 -> 1.44 Gb
Full Artwork @ 300 dpi (jpg) -> 252 Mb | 5% repair rar
© 2011 Outhere / Ricercar | RIC 102
Classical / Early Music / Polyphony / Medieval / Choral / Renaissance / Sacred Works

The composers known collectively as the Fiamminghi made their mark in Europe in general and in Italy and in France in particular during the 15th century. Their talent and skill gained them the most important positions in the great musical establishments of the time. This collection is devoted to the leading composers of the 15th century, from those of the first generation (Guillaume Dufay, Gilles Binchois, Arnold de Lantins and Johannes Brassart) through Johannes Ockeghem, the great master of polyphonic technique, to Josquin Desprez and Pierre de La Rue, two musicians taught by Ockeghem who laid the foundations of the Ars Perfecta during the Renaissance. Also included is Jacob Obrecht, the only composer of this school whose career was based essentially in his native Flanders. Every genre of both sacred as well as secular music of the time is represented here.
Poznań Chamber Choir - Media vita: Choral Works of Marek Raczyński (2017)

Poznań Chamber Choir - Media vita: Choral Works of Marek Raczyński (2017)
Classical | MP3 CBR 320 kbps | 00:50:31 | 116 MB
Label: RecArt | Release Year: 2017

Poznan Chamber Choir combines the best Polish choral traditions with passion and open attitude to art. The ensemble is celebrated both nationally and internationally for excellent musical interpretations originating in its quest for the deepest sources of inspiration: from lyrics, through harmony, texture and form, to individual feelings of the conductor and choristers.
Townes Van Zandt - Townes Van Zandt (1969) {Domino Recording REWIGCD55 rel 2009}

Townes Van Zandt - Townes Van Zandt (1969) {Domino Recording REWIGCD55 rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 192 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 600 dpi (jpg) -> 60 Mb | 5% repair rar
© 1969, 2009 Domino Recording | REWIGCD55
Country / Folk / Blues / Americana / Progressive Country

On his third album, Townes Van Zandt recut three crucial tracks from his debut album, "For The Sake Of The Song," "Waiting Around To Die," and "I'll Be Here In The Morning." It was some indication of the obscurity in which he remained enveloped, but no indication of the quality of his work. (Actually, Van Zandt rerecorded songs from his first album on his later ones because he disliked the earlier recordings.) As usual, his closely observed lyrics touched on desperate themes, notably in tbe mining ballad "Lungs," but they were still highly poetic, especially the album-closing "None But The Rain," which reflected on a failed relationship. Van Zandt's finger-picking was augmented by spare arrangements, usually featuring one added instrument for color, such as a fiddle or flute.
VA - Mozart 225: The New Complete Edition (2016) [200 CD Box Set] RE-POST

VA - Mozart 225: The New Complete Edition
Classical | FLAC (tracks)+cue, artwork, books, bonus materials | 240:57:55 | 62 GB
Label: Decca / DG | Tracks: 3335 | Rls.date: 2016

To mark the 225th anniversary of Mozart’s death, Decca and Deutsche Grammophon are releasing the most authoritative, complete and scholarly box set ever devoted to the work of a single composer. The 200CD Complete Edition was created in partnership with the Salzburg Mozarteum Foundation and Mozart expert Professor Cliff Eisen of King’s College London, and will be released worldwide on 28 October 2016.