In the Telemann mountains, much of the topography remains terra incognita because most of Telemann's music remains an undiscovered country. But whatever future generations of hardy musicologists may uncover, it is unlikely that Telemann's Nouveaux Quatuors en Six Suites published in Paris in 1738 will be displaced as among his output's highest peaks.
This unusual release, recorded in 1975, attempts to shed light on the numerous problems concerning the nature and indeed authorship of the flute sonatas by, or not by, Bach. The artistry of these musicians is, as we might expect, compelling, but in their attempt to segregate authentic Bach from what are often supposed to be spurious flute sonatas they have, in common parlance, 'come a cropper'. (CRD CRDIOI4-15, 8/75). N.A..
Georg Philipp Telemann is a name that has survived relatively well in the musical scene with large numbers of his works recorded on several different labels. One has to remember however that this was not always the case especially in the late 1960's when these pioneering recordings were made.
The four works on this disc provide a good cross section of Telemann's talent and they are also very well played by the various orchestras here. The one which is perhaps less well known is the South West German Chamber Orchestra under Friedrich Tilegant who however was an excellent conductor and very well respected in towns such as Stuttgart and Mainz.
I learned to love the recorder with this cd (of course many years ago); may be is a little old fashion in style, but stills there as a reference point to every recorder player in the world.
GUSTAV LEONHARDT was one of the most important harpsichord and organ players in the world and a very well-known specialist in baroque music. Gustav Leonhardt -The Edition is a 15-CD retrospective containing a representative selection of his numerous recordings, including famous solo recordings such as the legendary Goldberg Variations and Bach's organ and harpsichord works. 6 CDs feature collaborations with his famous colleagues Sigiswald Kuijken, Frans Bruggen and Anner Bylsma, the Leonhardt-Consort and Harry van der Kamp.
Gustav Leonhardt was one of the most important harpsichord and organ players in the world and a very well-known specialist in baroque music. Gustav Leonhardt -The Edition is a 15-CD retrospective containing a representative selection of his numerous recordings, including famous solo recordings such as the legendary Goldberg Variations and Bach's organ and harpsichord works. 6 CDs feature collaborations with his famous colleagues Sigiswald Kuijken, Frans Bruggen and Anner Bylsma, the Leonhardt-Consort and Harry van der Kamp.
Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.
VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are done with the best recording technologies and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The label started producing when Sony Classical was founded (in 1989). The production came to a standstill recently when Wolf Erichson retired and DHM became the new label of period music within Sony Classical. Among the outstanding artists which recorded for Vivarte are: Anner Bylsma, Gustav Leonhardt, Jos Van Immerseel, Tafelmusik, Huelgas Ensemble and others.
This is one of only two complete recordings of Telemann's Paris Quartets available as a single set, and is much superior to the old Bruggen set. The Kuijkens are all very stylish and engaging performers, and they play these works very well.
Telemann wrote a lot of very good chamber music, but these quartets show him at his best. They are full of wonderful melodies, and some amazing rhythmic quirks. If Telemann had not been so prolific, these works would be considered absolute masterpieces on the order of the Brandenburg Concertos of Bach. They are that good.