Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. With its mix of pop covers and jazz material, The Look of Love could be considered a typical Turrentine album from the late '60s. What sets this and a few other of his Blue Note titles apart, though, are the full yet tasteful string and band arrangements by jazz flügelhorn player and composer Thad Jones. With his flexible phrasing and muscular tone, Turrentine dives into the lush arrangements, especially on the sweeping rendition of Burt Bacharach's "Look of Love."
A unique concert staged at the Royal Festival Hall celebrating the music of the legendary songwriter and performer Burt Bacharach. Some of Burt's most famous songs are performed by a stellar line-up of artists including Alfie Boe, Sophie Ellis-Bextor, Shaun Escoffery, Rebecca Ferguson, Justin Hayward, Michael Kiwanuka, Laura Mvula and Joss Stone. Burt himself also performs accompanied by his band. During the concert Burt chats to Michael Grade about the art of songwriting and shares the stories behind some of his best-loved hits.
The Look of Love is the fourth solo album of Trijntje Oosterhuis and the second jazz album by Trijntje and was released on November 20, 2006. The album was released in Japan on January 17, 2007 under the artist name Traincha with a bonus song "Anyone Who Had a Heart (live)". The album consists of Burt Bacharach covers and has been recorded with the Metropole Orchestra.
Some of Grant Green's hottest moments as a jazz-funk bandleader came on his live records of the era, which were filled with extended, smoking grooves and gritty ensemble interplay. Live at the Lighthouse makes a fine companion piece to the excellent Alive!, though there are some subtle differences which give the album its own distinct flavor. For starters, the average track length is even greater, with four of the six jams clocking in at over 12 minutes. That makes it easy to get lost in the grooves as the musicians ride and work them over.
Stardust is another satisfying record from Ron Carter, this one in part a tribute to the late Oscar Pettiford. Leading a quintet with Benny Golson on tenor, Joe Locke on vibes, Sir Roland Hanna on piano, and Lenny White on drums, Carter picks three choice tunes by Pettiford – the swing-to-tango "Tamalpais," the minor-key bop classic "Bohemia After Dark," and the masterfully simple "Blues in the Closet."
Mose Allison, who was a musical institution long before 1987, had not run out of creative juices after 30 years of major league performances. This set finds him introducing such ironically truthful songs as "Ever Since The World Ended," "Top Forty," "I Looked In The Mirror" and "What's Your Movie." The many guest artists (including altoist Arthur Blythe, tenor-saxophonist Bennie Wallace, Bob Malach on both alto and tenor and guitarist Kenny Burrell) are unnecessary frivolities but Allison's trio (with bassist Dennis Irwin and drummer Tom Whaley) is tight and ably backs the unique singer-pianist.