Viola player David Aaron Carpenter brings together works united by their composers’ longing for home. Dvořák’s Cello Concerto, deftly arranged for viola by Carpenter himself, and Bartók’s desolate Viola Concerto are each influenced by Eastern European folk song—both composers lived in the U.S. as they wrote their masterpieces, dreaming of their motherlands. Walton’s sweetly melancholic Viola Concerto has an unsettled feeling, while Alexey Shor, now a U.S. resident, recalls his native Kiev with music of great emotional depth and character. Carpenter’s flawless playing is the perfect vehicle for this rich, varied program.
Tim Simenon's Bomb the Bass pet project pumped some of the best acid house straight into late-'80s dance clubs. Best known stateside for the seminal "Beat Dis," similarly groundbreaking slow-beat club groove, and the Burt Bacharach cover "Say a Little Prayer," Simenon's brand of acid-laced rap and snappy sampling kept sweat flowing coast to coast. Unfortunately, by the time the band's second album appeared in 1991, Bomb the Bass was all but forgotten in the beginnings of the grunge backlash. However, the sonics have continued to percolate, hence the welcome appearance of the U.K. compilation Beat Dis: The Very Best Of, which serves up a healthy hodgepodge of hits and a neat tweak for aging ravers' long-lost brain cells. In no particular order, Beat Dis unravels 1988 through 1991, commencing with the 12" version of "Beat Dis" and ending with the absurdly short "Megamix," while hitting all the important points in between. First-wave favorites include the aforementioned "Say a Little Prayer" and "Shake It," while the 1991 incarnation weighs in mightily with "Dune Buggy Attack" and the British hit "Winter in July".