An all-star cast featuring Deutsche Grammophon artist Anna Netrebko, Bryn Terfel and Anna Prohaska, delivers a sensational new recording of Mozart’s Don Giovanni, conducted by Daniel Barenboim at the start of his inaugural season as Music Director of La Scala. Recorded live at the opening of the 2011-12 La Scala season, Don Giovanni is now set to be released in time for Bryn Terfel’s 50th birthday on 9 November 2015. It also ties in with the traditional opening of the new season at La Scala – 7 December, the feast-day of St Ambrose, patron saint of Milan.
This fabulous 2000 production of Don Giovanni is the best - bar none. I have seen many, many productions of this greatest of all operas and none come even close to this brilliantly cast production. Outstanding are Solvieg Kringelborn, who nearly (but not quite) steals the show as a very funny! Donna Elvira and Paul Groves, much more sympathetic than usual in the role of Don Ottavio. Fleming, Hong, Relyea and Koptchak are terrific. But, Don Giovanni lovers literally haven't lived until they see and hear the matchless pair of Bryn Terfel as the Don and Ferruccio Furlanetto as Leporello. They both possess wonderful voices and first-class acting chops. In fact, IMO, Furlanetto is a comic genius and the best actor in opera. The fact that both Terfel and especially Furlanetto are very attractive men doesn't hurt either,I could watch them forever..
It is an oft-repeated saw, about life in the heavenly spheres, that the angels revere Bach but listen to Mozart. If they have DVD players, you can bet they're now watching this stunning production of Le Nozze di Figaro ("The Marriage of Figaro"), which comes about as close to Mozartian perfection as one could possibly hope to get. The faultlessly cast youthful performers bubble with infectious energy. Alison Hagley is a sprightly Susanna with a voice as clear as a bell, and brilliantly matched by a 28-year-old Bryn Terfel both acting and sounding in fine form. Hillevi Martinpelto demonstrates why she is one of the world's favourite Mozart singers with her melting tones, richly coloured voice and generous stage presence, and Rodney Gilfry gives a muscular, wonderfully controlled performance as the Count.
Inspired by the likes of Otis Redding, Marvin Gaye, and Stevie Wonder, Bryn Christopher's fusion of classic soul and modern R&B