Brumel Missa

Ensemble Clement Janequin, Dominique Visse - Antoine Brumel: Missa 'Et ecce terrae motus' (2003)

Antoine Brumel - Missa 'Et ecce terrae motus' (2003)
Ensemble Clément Janequin; Les Sacqueboutiers de Toulouse; Dominique Visse

EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Mp3 (CBR320) ~ 150 Mb (incl 5%) | Scans included
Genre: Classical, Renaissance, Choral | Label: Harmonia Mundi | # HMA 1951738 | Time: 00:58:15

Dominique Visse and his group Ensemble Clément Janequin have been involved in many outstanding projects over the years, but this 2002 Harmonia Mundi recording has to be one of the most spectacular; the Missa "Et ecce terrae motus" (aka, "The Earthquake Mass") of Antoine Brumel. Brumel is one of many mid-renaissance composers whose reputations are so far overshadowed by Josquin Desprez that – like Rodney Dangerfield – they "just don't get no respect." In Brumel's own time, however, he was considered one of Josquin's equals and his death in 1512 was widely observed in a number of "déplorations." Although the mass itself survives in only a single manuscript copy, it bears the signatures of singers who revived the work in Munich in 1570 – probably close to a century after it was first given – and among them is a bass named Orlandus Lassus.
Antoine BRUMEL. Missa Et ecce terrae motus / Huelgas Ensemble - REPOST

Antoine BRUMEL. Missa Et ecce terrae motus - Sequentia Dies irae / Huelgas Ensemble
EAC FLAC (300 MB) | NO LOG | Embedded CUE | booklet (30 MB) | OGG·160 (70 MB)
Sony Vivarte 46348 (1990) | Renaissance
´+

Antoine BRUMEL. Missa Et ecce terrae motus / Huelgas Ensemble - REPOST

Who was this Antoine Brumel? He was a difficult person in every respect and a selfwilled and eccentric composer. A difficult personality is not unusual for a musician, yet his idiosyncrasy was recognized even in his own lifetime.
According to the standards of his time, Brumel's music knows no boundaries, is daring and never strictly academic. Whether this concerns imaginative musical structures, the working-out of counterpoint or the writing of repetitive forms - it is always more or less "outrageous".
The most fascinating of Brumel's works is without a doubt his twelve-part mass ET ECCE TERRAE MOTUS.
O Magnum Mysterium - Dufay, Ockeghem, Desprez, Finck, Gombert, Brumel, Isaac (Schola Cantorum Stuttgart)

O Magnum Mysterium - Dufay, Ockeghem, Desprez, Finck, Gombert, Brumel, Isaac (Schola Cantorum Stuttgart)
Classical | EAC: FLAC+Cue+Log | 4 Cd, Cover+Booklet | 1.27 Gb
Label: Brilliant/Bayer - Date: 70's-80's
Daltrocanto - Il Codice di Staffarda: BRUMEL, ENGARANDUS

Daltrocanto - Il Codice di Staffarda, secolo XV
EAC FLAC (210 MB) | NO LOG | Embedded CUE | booklet (25 MB) | OGG·160 (55 MB)
Opus 111 30-162 (1995) | Renaissance

Il Codice consta di 101 carte munite di tre distinte filigrane, la più antica delle quali risponde ad un tipo assai diffuso in Piemonte circa fra il 1420 e il 1475, mentre la più recente si può far risalire ai primi decenni del Cinquecento. Le composizioni - tutte a 3 o a 4 voci (salvo una che è a 2 voci) - sono complessivamente 49: 8 messe (fra cui una pro defunctis), 11 Magnificat, 14 mottetti di varia natura (inni, antifone, Salve Regina, ecc.), 2 Benedictus, 12 chansons, 1 canone enigmatico, 1 brano strumentale. Solamente per 19 di tali composizioni si conosce il nome dell'autore, il più delle volte individuato attraverso il confronto con altre fonti, e fra questi figurano Alexander Agricola, Loyset Compère, Hayne van Ghizeghem, Heinrich Isaac, Antoine de Fevin, Jacob Obrecht, Antoine Brumel e un «misterioso» Engarandus Juvenis - un nome presente esclusivamente nel Codice di Staffarda, autore di una Missa pro defunctis e di un Magnificat a 4 voci, nonchè di un Salve Regina a 3 voci -, tutti scomparsi fra la fine del XV secolo e i primi due decenni del XVI.
Nikolaus Harnoncourt - Beethoven: Missa Solemnis In D Major, Op. 123 (2016)

Nikolaus Harnoncourt - Beethoven: Missa Solemnis In D Major, Op. 123 (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 492 MB | 01:21:27
Classical | Label: Sony Classical | Release Year: 2016

When Nikolaus Harnoncourt retired from the stage in December last year, it was his expressed wish to release the broadcast recording of his last project, Beethoven s monumental Missa solemnis as his personal legacy. The Missa solemnis concerts at the Styriarte Festival Graz and the Salzburg Festival in summer 2015 were his last public performances. This recording of Beethoven s late masterpiece was made from material captured at the Graz concerts and rehearsals. As a result of his life-long research on Beethoven, he conducted the work for the first time with the Concentus Musicus Wien on period instruments. The Concentus is joined by the Vienna based Arnold Schoenberg Choir featuring Laura Aikin (soprano), Bernarda Fink (alto), Johannes Chum (tenor) and Ruben Drole (bass).

Nikolaus Harnoncourt - Beethoven: Missa Solemnis (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 16, 2017
Nikolaus Harnoncourt - Beethoven: Missa Solemnis (2016) [TR24][OF]

Fleetwood Mac - Mirage (Deluxe Edition)
Classical | FLAC (tracks) 24-bit/48 kHz | 81:27 min | 904 MB | Digital booklet
Label: Sony Classical | Tracks: 11 | Rls.date: 2016

When Nikolaus Harnoncourt retired from the stage in December last year, it was his expressed wish to release the broadcast recording of his last project, Beethoven s monumental Missa solemnis as his personal legacy. The Missa solemnis concerts at the Styriarte Festival Graz and the Salzburg Festival in summer 2015 were his last public performances. This recording of Beethoven s late masterpiece was made from material captured at the Graz concerts and rehearsals.
Carys Lane, Robin Blaze, The Clerk's Group, Edward Wickham - Ockeghem: Missa Au Travail Suis, Missa Sine Nomine a5 (2001)

Carys Lane, Robin Blaze, The Clerk's Group, Edward Wickham - Ockeghem: Missa Au Travail Suis, Missa Sine Nomine a5 (2001)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 54:44 | 314 MB
Genre: Sacred, Vocal, A capella | Label: AS&V "Gaudeamus" | Catalog: 215

The Franco-Flemish composer, Johannes Ockeghem, sang at Antwerp at the Bourbon court before joining the French royal chapel in 1451. Ockeghem spent most of his professional life at the French chapel and his output was quite prolific. He composed 14 settings of the Mass, including one of the earliest polyphonic versions of the Requiem. Ockeghem also composed numerous motets and secular songs. He was one of the most original voices in early Renaissance polyphony and his music dazzles with its ingenuity and beauty.
Robert Harre-Jones, Mark Dobell, Orlando Consort - Antoine Busnois: Missa O Crux lignum, Motets & Chansons (2005)

Robert Harre-Jones, Mark Dobell, Orlando Consort - Antoine Busnois: Missa O Crux lignum, Motets & Chansons (2005)
EAC | FLAC (image+.cue, log) | Covers Included | 62:31 | 300 MB
Genre: Classical, Sacred | Label: Harmonia Mundi | Catalog: 907333

England's Orlando Consort, a quartet of male singers augmented as needed by other performers, offers performances of Renaissance vocal music that lie midway between the traditional and the highly individualized modern. Sometimes they veer toward one of those two extremes, but often, as on the present disc, they find a happy medium. Their sound, especially in sacred music, owes much to the English cathedral tradition, but there's a well-honed edge to their one-voice-to-a-part interpretations that brings out the crowds who've recently been drawn to early music. This disc is intended as an introduction to a composer who doesn't always offer easy listening to the modern ear. Netherlander Antoine Busnois, active at the end of the fifteenth century and considered the greatest figure between Dufay and Josquin, wrote music that broke free from elaborate medieval numerology but came in advance of Josquin's perfect marriage of music and text.
Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Zelenka - Missa Votiva ZWV 18 (2010) {Carus}

Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Zelenka - Missa Votiva ZWV 18 (2010) {Carus}
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 401MB + 5% Recovery
MP3 CBR 320 Kbps | 222MB + 5% Recovery
Genre: Classical, Baroque

Extraordinarily well-written, prodigiously inventive, and relentlessly exciting–these aren’t terms normally used to describe 18th-century Masses, but then there is nothing “normal” about this late work by Czech composer Jan Dismas Zelenka. Simply put, if you aren’t acquainted with Zelenka (or if you’ve experienced a previous aversion to Masses), when you hear this piece-a substantial and powerful conception, from the first note of the Kyrie to the final chord of the Dona nobis pacem-you will wonder why this composer does not enjoy much greater esteem and popularity with performers, particularly alongside J.S. Bach (his contemporary) and Mozart.
Georg Muffat - Missa in Labore Requies - Cappella Murensis (2016) {Audite Official Digital Download}

Georg Muffat - Missa in Labore Requies - Cappella Murensis (2016) {Audite Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (wimpmusic.com) -> 351 Mb | MP3 @320 -> 169 Mb | Artwork (pdf+jpg | 5% repair rar
© 2016 Audite | ADT 97.539
Classical / Sacred Works / Baroque / 17th Century / Mass / Polychoral

This recording of Georg Muffat's monumental mass alongside church sonatas by his contemporaries creates a vivid impression of the imposing sacred music heard at leading Catholic courts during the High Baroque. The Abbey Church of Muri with its four galleries and its historical Bossart organs proves to be a performance venue with perfect acoustics for these polychoral works.